历史情境下古希腊罗马雕刻艺术

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1、AbstractIIllMIIIIIIIIIIIIMIIIIIIlY2258477IITheperiodofancientGreeceandRomecultureandHebrewculturehavebeenrecognizedasthetwolargestsourceofwesternculturebytheacademicsession，andproducefar—reachingeffecttotheworldculture．Also，thesculptureartinthisperiodisoneoftheclassicsofcu

2、lturaltypes．Theheight，inlaterinthecourseofthedevelopmentofsculptureart，andeveninmoderncivilizationhighlydevelopedtoday，isalsounattainable．Aboutthisperiodofsculptureartresearch，ChineseandWesternscholarspublishedwritings，paperscanbeusedtodescribeanumberofextremely，butmostare

3、focusingontheontologyofart．SeventeeneighthCentury’Swesternscholars，startingfromabroaderviewofculturehistoryoftheartofthisperiodphenomenonanalysis．Thesescholars，suchasHegel，DannerandSpengler⋯●●‘●一walt上lng，etc．inthlSrespectmadeoutstandingachievementS．However．thesescholarsare

4、frombigculturalhistoryperspectiveonthishistoricalperiodisanalyzedandexplained，andsubjecttothelawsofartitselftoacognitiveapproach．AsHegelinsymbolicformofart，classicalartandtheromanticartofartanoverallclassification，andelaboratedtheGreekRometimesculptureartasclassicalartchar

5、acteristics．Hegelpointedoutthatcomparedtoarchitectureandsculpture，sculpture”inclassicalartasitsbasictypes”，Andthat”onl,’carving，‘thingsfirst‘it：eternalserenitlonlYincarvlnginnerth1rsttoreveal1tSeternalserenlty，gSandessentiallyself—contained”：Danneropinedthat”thematerialIll

6、civilizationandthespiritualcivilizationnatureoutlookdependsonrace，age，environmentofthreebigfactors”：Spenglerarguesthatanyformofculturehasitsown1ifecycle，”passeditschildhood，youth，adultsandolder”，andultimatelytodeath，thuscompletingthecycle，towardsanewculturalform．Inviewofth

7、ehistoryofculturetotheart，inrecentyearsmoreandmorebymanyarthistorians’attention．Butoverall，goingdeepintothehistoricalcontexttodescribethisperiodsculpturedevelopmentsomesubtlechangesseemtobenotenough．Theauthorofthisarticleattemptstomakesuchaneffort：FromancientGreeceandRomed

8、uringtheperiodofsomespecificinstancestoseethevariousfactorsontheimpactofGreekculture，andt