黄道周行草书管窥

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1、AbstractHuangDaozhou,themostimportantcalligrapherinthereformofartstyleofcalligraphyinLateMingDynasty,setallexampleofperfectunionofhispersonalcharacterandthatofhiscalligraphyforhisprofoundknowledge，hisfaimessandhisnotbeingtacky．Heshowedobviouspersonalityandprominentst

2、yleinhiscalligraphyandinheritedtraditionalChinese--brush--writingtechniquesfromancientscriptscreatively,learningfromZhongYouandSuoJing，andbringinginlishuandzhangcao，whichmadehiscalligraphyelegantandalsouniqueinthecalligraphycircleofMingDynasty．ShaMenghaioncemadesuchr

3、emarks：“InthelateperiodofMingDynasty,nonebutHuangDaozhoucouldcomparefavorablewithWangDuo．’’Huang’Skaishuismeaningfulwithconcisebrokers，simplebutelegant，antiqueandclumsy,Whilehisxingshuandcaoshuareofgreatmomentum，impassionedandforcefulwithaheroicair,prettyinriotouspro

4、fusionjustlikeabreezebendingthe．grass．HefoundanotherwayinhiscalligraphybylearningdirectlyfromtheSix-DynastiesandbrokeouttheoppressionincalligraphyoftheearlyandmiddleperiodsofMingDynasty．ThereforehebecamenovelandoriginalinthecalligraphycircleofLateMingDynasty．Thiskind

5、ofcreativespiritandthewayofcombiningscriptsandstele—inscriptionshavehadfar-reachinginfluenceonthecalligraphycircleofsinceQingDynastytillnow．ThedissertationCanbedividedintofourparts．ThefirstpartprovidesasurveyofHuang’Slifetimeandthebackgroundabouthisepoch．Andhisideolo

6、gyandaestheticideasofcalligraphyareanalyzed，inwhichthreeaspectsarementioned．Thesecondpartlaysstressontheanalysisofhisxingshuandcaoshu．Whatarediscussedinthispartincludethecause，theorigin,theformationandthedevelopmentofhisxingshuandeaoshu．Furthermore，techniquesofhowtoc

7、reatexingshuandⅡcaoshualediscussed，includingbrush—using，composition,arrangementandChinese-ink,ere．throughtheauthor’Sownexperiences．ThethirdpartcontainsfourcomparisonsbetweenHuangandtheothercalligraphersofhistime(ZhangRuitu，NiYuanlu,WangTuoandFuShan)whichaletoillustra

8、tethefeatures，thestyleofcalligraphyoftheperiodandthedifferencesbetweentheirpersonalaestheticideas．Thefourthpartoffersanobjectiveana