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1、上海师范大学学位论文中文摘要摘要传统中国人物画是中国画中最早出现的画种，其发展历经千年，漫长的演变与发展中有其独特的以线造型特征。而人物画恰恰是通过其线条的圆润，沉稳，细腻，稚拙，长短，粗细，刚柔，徐疾，顺逆，虚实，墨色的浓焦，淡轻，来传达出不同的人物造型特征和逼真的人物形象。历代人物画线描也是不断的学习前人优秀作品，不断补充，不断完善的基础上发展起来，从魏晋时期的顾恺之在春蚕吐丝描的基础上创造了高古游丝描，阎立本在绘画上继承南北朝的优秀传统，吸收和发展，创造了铁线描，吴道子所绘人物善用状如兰叶之线条，李公麟线条健拔被称作白描大师，这些都是各个时代的光辉。随着时代的演
2、进，中国人物线描创造性的继承传统，不断总结发展，从传统文化当中汲取营养，取神得形，以线立形，以形达意，尽其精微。在当代新的绘画观念也不断产生，新的画风画派也不断涌现，形成了一个多元的局面，这也将传统工笔绘画发展成为当今多元化的繁荣景象。本文通过相关图片及书籍资料的收集，查阅和工笔人物线描在自我创作和临摹的实践体会对中国人物线描的质感和运用有了更深入的认识和介绍。关键词：人物线条传承融合质感论文类型：C应用研究I万方数据上海师范大学学位论文英文摘要AbstractTraditionalChinesepaintingfigurepaintingistheearliestt
3、ypeofChinese
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excellentworksfinebrushworkfigurepaintingline,constantlysupplementand
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7、newpaintingideas,newstyleschoolare
constantlyemerging,hasformedthesituationinwhichadiverse,thiswillalsobe
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Inthispaper,throughthecollectionofpicturesandbooksinformation,consult
andpaintinglineinthepracti
