从《宠儿》透视美国黑人女性的悲剧与成长 The Tragedy and Growth of the Black Women Embodied in Beloved

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1、从《宠儿》透视美国黑人女性的悲剧与成长TheTragedyandGrowthoftheBlackWomenEmbodiedinBelovedAbstractToniMorrisonistheonlyAfro-AmericanwomanwriterwhowinstheNobelPrizeforliteratureandherworksarewell-knownforvividimagescopiousemotionsandprofoundthoughtsHerworksarealwayspresentedonbehalfoftheblackwomenandfulloftragediesAge

2、neralthemegoesthroughallherfictionsthetragiclifeoftheblackpeopleandtheconflictbetweenthewhitecultureandtheblackcultureInBelovedMorrisontellspeopleastoryaboutablackslavewomanwhohasatragiclifebutnevergivesupherfaithinself-growthThroughthedifferentgrowingexperiencesofthreegenerationsthefictionreveals

3、thehumblepositionoftheblackwomenandtheirdifficultprocessofgrowthundertheoppressionofracismandsexismOntheonehandMorrisonshowstherealsituationoftheblackwomenfromadistinctpointofviewanddemonstratestheirpainsandsufferingsOntheotherhandthroughthetragicstoryofBelovedMorrisonalsoshowspeoplethegreatstreng

4、thandself-growthoftheblackwomenAlthoughthegrowingprocessisfullofdifficultiestheblackwomenthroughtheeffortsofgenerationsfinallybuildthemselvesupandbravelyfacethepresentandthefutureKeyWordsBlackwomendiscriminationandoppressiontragedystrengthgrowth摘　要托尼莫里森是美国唯一一位获得诺贝尔文学奖的黑人女性作家其小说以鲜明的形象丰富的感情和深刻的思想而著名

5、她的作品总是代表着黑人女性并充满了悲剧色彩在她的小说中始终可以感受到一个主题美国黑人命运的残酷以及白人文化和黑人传统文化之间的冲突和对峙在《宠儿》中莫瑞森就讲述了一个生活在悲剧中但却始终不放弃信念的黑人女奴的悲惨故事通过三代人不同的成长经历展现了处于弱势地位的黑人妇女在种族主义和性别主义的双重压迫下艰难的心路历程一方面莫里森用她独特的视角讲述黑人妇女真实的处境使人们可以强烈深刻地感受到黑人妇女的痛苦经历另一方面通过《宠儿》的悲剧故事莫里森向人们展示了黑人妇女的力量与自我成长尽管成长的过程充满荆棘但通过一代又一代的努力黑人女性最终成长起来开始勇敢地面对现在和未来关键词黑人妇女歧视和压迫悲剧力

6、量成长IntroductionToniMorrisonistheonlyAfro-AmericanwomanwriterwhowinstheNobelPrizeforliteratureItconfirmsherrenownandmakesheroneofthemostinfluentialwritersinAmericahistoryFromTheBluestEyetoLoveeachofherfictionshasexertedvibratinginfluenceupontheliteraryworldInthefictionsofToniMorrisonthereisadistinc

7、tandeternalthemewhichcanbefeltandtouchedclearlythetragiclifeoftheblackpeopleandtheconflictbetweenthewhitecultureandtheblackcultureBelovedafamousfictionbyToniMorrisonin1987whichwinsthe1988PulitzerPrizebestexemplif