艺术符号三级意指系统构想——例析石冲艺术

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1、艺术符号三级意指系统构想――例析石冲艺术AbstractThisthesisisthedevelopmentofAnalysisTheoryofartisticsign----Asuppositionofthethird-gradesignificationsystemofartisticsign.ThefoundationofthissuppositionissignificationAnalysisofartisticsign,whichiscreatedbysomepeoplefromgenerationtogeneration;thosepeopleareSauussur

2、e---Hjelmslev---RolandBarthes----Kristeva.ThesuppositionanddevelopmentofThirdGradeSignifiedsystemfocusontheSemioticsofArtsAnalysis’slimitationandfragmentinganalysisonproducingactivityofsignandtrytomakethissuppositionenterasystematiclifeworld.Thesignificanceandsenseofsemioticsistheproduceofrel

3、ationshipfieldwhichdissimilarlychangeandgrowfromtimetotimeandfromplacetoplaceandthisrelationshipfieldhasneverbeenaseparate,planarandisolatedexistence.Relativelyspeaking,theproducingidiosyncrasyofsemioticsofArtsinShiChongArt’sproducingformsisobviousandShiChong’sArtcanharmoniouslymatchthesuppos

4、itionanddevelopmentofthethird-gradesignificationsystemofartisticsign,andthatisthereasonwhythisthesistakesShiChong’sArtasthestudycase.Whatismore,toacertaindegree,theresultsofthispapershowthatthesuppositionofthethird-gradesignificationsystemofartisticsignistestifiedtobetrue.Keywords:thethird-gr

5、adesignificationsystemofartisticsign,relationshipfield,lifeworld,theproducingofsignofArts,ShiChong’sArtII艺术符号三级意指系统构想――例析石冲艺术目录摘要····································································································································ⅠAbstract·······················

6、······································································································Ⅱ目录·································································································································Ⅲ第一章引言11．1“艺术符号的三级意指系统”理论构想„„„„„„„„„„„„„„„„„11．2当下艺术现状中石冲艺术

7、行为的分析意义„„„„„„„„„„„„„„„51．3艺术符号三级意指系统的实例推演„„„„„„„„„„„„„„„„„„6第二章作为艺术行为的初级意指（符号）系统„„„„„„„„„„„„„„„„„112．1艺术文本中初级意指系统的能指（表达）„„„„„„„„„„„„„„„112．1．1作为艺术文本的能指之网„„„„„„„„„„„„„„„„„„„112．1．2艺术文本的系统„„„„„„„„„„„„„„„„„„„„„„„132．1．3画与诗能指表达的异同„„„„„„„„„„„„„„„„