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1、THECONSTRUCTEDPASTWecanneverknowwithcertaintywhatthepastwaslike:insteadwereconstructimagesofwhatwethinkitmayhavebeenlikeusingthefragmentaryremainswehave,butinfluencedtoadegreebyourculturalperceptionsandnorms.Thosewhopresentthepasttoothershavetheresponsibilitytoensurethattheyr
2、epresentthemostlikelyrealityofthepast,andthattherepresentationsarenotconsciousmanipulationsofthepastcreatedforparticularcontemporarycauses.Thiseditedcollectionpresentsagroupofpowerfulimagesofthepast,termedinthebook‘constructionsites’.Atthesesites,fullscale,three-dimensionalim
3、agesforthepasthavebeencreatedforavarietyofreasonsincludingarchaeologicalexperimentation,tourismandeducation.Somesitesattemptlittlemorethanconstructionofunfurnishedbuildings,othersintroducefurniture,otherartefactsandhumaninterpreterstorecreateamoredetailedimageofthepast.Thevar
4、iouscasestudiesexploretherelationshipbetweenthesites’aimsanddiscusstheirconstantfriction.Contributionsfranklydiscusstheproblemsandmistakesexperiencedwithreconstruction,encouragetheneedforon-goingexperimentationandexaminethevarioususesofthesites;political,economicalandeducatio
5、nal.TheConstructedPastaffordsthemostdetailedandextensivediscussionofsuchsitessofarattempted,andwillprovideavaluablereferencetoolforarchaeologistsandprofessionalsinheritagemanagement.PeterG.StoneistheChiefExecutiveOfficeroftheWorldArchaeologicalCongress.HehasworkedintheEnglish
6、HeritageEducationServicefornearlytenyears,andcurrentlyteachesheritagestudiesattheUniversityofNewcastle.PhilippeG.Planelisanex-teacherandanindependentwriterandworkerinarchaeologyandeducationonbothsidesoftheChannel.ONEWORLDARCHAEOLOGYSeriesEditor:P.J.UckoAnimalsintoArtD.R.Harri
7、s&G.C.Hillman(eds),vol.13H.Morphy(ed.),vol.7FromtheBaltictotheBlackSea:studiesinArchaeologicalApproachestoCulturalmedievalarchaeologyIdentityD.Austin&L.Alcock(eds),vol.18S.J.Shennan(ed.),vol.10HistoricalArchaeology:backfromtheedgeArchaeologicalHeritageManagementintheP.P.A.Fun
8、ari,M.Hall&S.Jones(eds),vol.31ModernWorldHuntersoftheRecentPastH.F.C
