资源描述：
《传统油画技法中的几大基本准则（several basic principles in traditional oil painting techniques）》由会员上传分享，免费在线阅读，更多相关内容在教育资源-天天文库。
1、传统油画技法中的几大基本准则（Severalbasicprinciplesintraditionaloilpaintingtechniques）SeveralbasicprinciplesintraditionaloilpaintingtechniquesAuthor:anonymoussource:artnetworkhitnumber:372updatetime:2007-7-18Thebasicprinciplesoftraditionaltechniquesarebasedonthetraditionalmasterscommoncharacteristicsintechni
2、queandaestheticstandards,specificprinciplesandforitsspecialeffectsandsummarizesthebeneficialtothefullimplementationofthetechnique,whichinvolvesthedurabilityofproductionprocedures,worksandcontentsofshape,color,textureandotheraspectsoftheshow.Theseprincipleswillhelpusmoreclearlyandgrasptheessenti
3、alsofclassicalpaintingtechniquesembodied,moreeffectiveandin-depthexperiencebetweenthetechniquesandaestheticclosecontact.Wecanexperiencethefollowingfouraspectsintheactualproductionprocess.1,thefirstashaftersaturationItisaneffectivemethodfortransparentpaintingthatthefirstpowderissaturatedwithashe
4、s.Inancienttimes,Lubensihadthetheoryof"fatandthin".Itwasfirstproposedtoensurethesmoothconjunctivaofoilpaintsandthedurabilityofoilpaintings.Itisnecessaryforpigmenttoformastrongfilmtoachievethemostappropriateproportionoftonerandtoningoil.Thepowderweightandoilweightcannotachievethestabilityandlong
5、lastingofconjunctiva.Becauseitisamultipledrawingmethod,itmustconsiderthefunctionofeachstepofit.Inordertoeffectivelycarryouttomake,theoilypaintcoveredinoillesspigmentnotonlyhelpslayersofadhesionability,butalsocanbethestrongestinthelastconjunctivalsurface,whichinturnmustbedependentonthesurfacelay
6、ersofabsorbentpowdercontainingappropriatepigment.Inaddition,"fatcoverthin"isnotonlyfromthecharacteristicsofoilpaintconjunctiva,butalsorelatedtothetransparentandopaquecolorsproducedbytheeffectofthefinaltransparenteffect.Puretransparentcolorisgenerallysaturatedwithoilcontent,poorcoverage,cannotac
7、curatelyreflectthechangesincolorpurityandavarietyofgrayfeelingsinnature.Itisnecessarytoachievetheaccurateexpressionofnaturalhuepuritybymeansofthelowersaturationcoloroftheobjectitself,thatis,theoverlappingofsomecolorsofthepowder.In
