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1、GeorgeMichellprovidesapioneeringandrichlyillustratedintroduc-tiontothearchitecture,sculptureandpaintingofSouthernIndiaundertheVijayanagaraempireandthestatesthatsucceededit.Thisperiod,encompassingsomefourhundredyears,fromthefourteenthtotheeighteenthcentury,wasendowedwithanabundanceofreligious
2、androyalmonumentswhichremainastestimoniestothehistoryandideologybehindtheirevolution.Theauthorevaluatesthelegacyofthisartisticheritage,describingandillustratingbuildings,sculpturesandpaintingsthathaveneverbeenpublishedbefore.Inapreviouslyneglectedareaofarthistory,theauthorpresentsanoriginala
3、ndmuch-neededreassessment.CambridgeHistoriesOnline©CambridgeUniversityPress,2008THENEWCAMBRIDGEHISTORYOFINDIAArchitectureandartofSouthernIndiaCambridgeHistoriesOnline©CambridgeUniversityPress,2008THENEWCAMBRIDGEHISTORYOFINDIAGeneraleditorGORDONJOHNSONPresidentofWolfsonCollege,andDirector,Cen
4、treofSouthAsianStudies,UniversityofCambridgeAssociateeditorsC.A.BAYLYVereHarmsworthProfessorofImperialandNavalHistory,UniversityofCambridge,andFellowofStCatharine'sCollegeandJOHNF.RICHARDSProfessorofHistory,DukeUniversityAlthoughtheoriginalCambridgeHistoryofIndia,publishedbetween1922and1937,
5、didmuchtoformulateachronologyforIndianhistoryanddescribetheadministrativestructuresofgovernmentinIndia,ithasinevitablybeenovertakenbythemassofnewresearchpublishedoverthelastfiftyyears.Designedtotakefullaccountofrecentscholarshipandchangingcon-ceptionsofSouthAsia'shistoricaldevelopment,TheNew
6、CambridgeHistoryofIndiawillbepublishedasaseriesofshort,self-containedvolumes,eachdealingwithaseparatethemeandwrittenbyasingleperson,withinanoverallfour-partstructure.Asbefore,eachwillconcludewithasubstantialbibliographicalessaydesignedtoleadnon-specialistsfurtherintotheliterature.Thefourpart
7、sareasfollows:ITheMughalsandtheircontemporariesIIIndianstatesandthetransitiontocolonialismIIITheIndianEmpireandthebeginningsofmodernsocietyIVTheevolutionofcontemporarySouthAsiaAlistofindividualtitlesalreadypublishedandthoseinpreparationwillbefounda