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1、BANFIELDAFRICANAMERICANSTUDIES•MUSICAfricanAmericanCulturalTheoryandHeritageWILLIAMC.BANFIELDNoartcansurvivewithoutanunderstandingof,anddedicationto,thevaluesenvisionedbyitscreators,andnoculturehasexistedovertimewithoutabeliefsystemtosustainitssurvival.Blackmusicisnoexception.InCu
2、lturalCodes:MakingsofaBlackMusicPhilosophy,WilliamC.BanfieldengagesthereaderinaconversationabouttheaestheticsandmeaningsthatinformthiscrucialcomponentofoursocialCULTURALCODESconsciousness.CULTURALByprovidingafocusedexaminationofthehistoricaldevelopmentofBlackmusicartistry,BanfieldMA
3、KINGSOFABLACKMUSICPHILOSOPHYformulatesaphilosophytiedtohowsuchmusicfunctions,aswellashowitismadeandshaped.Indoingso,heexploresBlackmusicculturefromthreeangles:history,education,andthecreativeworkofthemusicianswhohavemovedtheartforward.InadditiontotracingBlackmusicfromitsAfricanCOD
4、ESrootstovariouscontemporaryexpressions,includingjazz,soul,r&b,funk,andhiphop,Banfieldprofilessomeofthemostimportantmusiciansoverthepastcentury:W.C.Handy,ScottJoplin,LouisArmstrong,DukeEllington,CountBasie,MaryLouWilliams,JohnColtrane,JamesBrown,JimiHendrix,andStevieWonder.CulturalC
5、odesprovidesaneducationalandphilosophicalframe-workforstudentsandscholarsinterestedinthetraditions,development,innovators,andrelevanceofBlackmusic.WILLIAMC.BANFIELDisprofessorofAfricanaStudies/MusicandSocietyatBerkleeCollegeofMusic.HeistheauthorofMusicalLandscapesinColor:Conversat
6、ionswithBlackAmericanComposers(2003)andBlackNotes:EssaysofaMusicianWritinginaPost-AlbumAge(2004),bothpublishedbyScarecrowPress.Dr.BanfieldisalsotheconsultingeditoroftheAfricanAmericanCulturalTheoryandHeritageseriesforScarecrowPress.BLACKMUSICMAKINGSOFAPHILOSOPHYAbouttheCoverPaintin
7、g,“OzzyPlaystheGuitar,”byEmilyRussellAlbeitaproblematicimageforsome,howwe“read”thisworkofartisbasedonthesameprinciplesofhowwehearandseemusicinitsvariedvalues.Theauthordeliberatelychosethispaintingtoaskthereadertodecodenotjusttheimage,buttoexaminetheculturethatinformsit.Forordersan
8、dinformationpleasecontactthepubli