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1、Youcan’tjudgeabookbyitscover,butyoucanjudgeabookbyitsfirstsceneAcriticalliteraryanalysisofJaneEyrebyCharlotteBronte《简爱》文学评论“Therewasnopossibilityofawalkthatday”(p.7).Inthissimplesentence,CharlotteBronteestablishesthemotifofentrapmentandsubsequentindependencethatrecursthroughoutthenovelJaneEyre.Inth
2、efirstsceneofthenovel,thesettinghelpstoshapeJane’scharacter.JaneintroducesthefirstofnumerousimagesofbirdsasshereadsBewick’sHistoryofBirds,andalsotheparallelimagerybetweenhumansandanimals.Jane’sfirstarticulationforeshadowstheplotofthenovel,predominantlythepersistentthreadofhermobility.Theseliterarye
3、lements,whichhavetheirfootholdinthefirstsceneofJaneEyre,manifestbroaderthemesthroughoutthenovel.Jane’sfirstutteranceestablishesthespacethatsheoccupiesthroughoutthenovel:“Therewasnopossibilityoftakingawalkthatday…Iwasgladofit”(p.7).Jane’ssimpleascertainingofthefactshemustremaininsidethedreary,hostil
4、eGatesheadenvironmentforeshadowshercontinuedplightasaprisonerofpersonalandcircumstantialconstraints,andherendeavorstobreakfreefromtheseconstraints.Jane’sentrapmentbeginsatGateshead,wherecircumstanceshaveplacedherunderthecareofhercruelaunt.TheinclementweathersituatesherinsidetheGatesheadlibrary,ensh
5、rinedinthewindow-seat:“Foldsofscarletdraperyshutinmyviewtotherighthand;totheleftweretheclearpanesofglass,protecting,butnotseparatingmefromthedrearNovemberday”(p.8).Here,althoughsheisaprisonerwithinthehouse,sheisalsoacaptiveofthefantasiesofliterature:Theywerethosewhichtreatofthehauntsofsea-fowl;of‘t
6、hesolitaryrocksandpromontories’bythemonlyinhabited;ofthecoastofNorway,studdedwithislesfromitssouthernextremity,theLindesness…Eachpicturetoldastory”(p.8-9).Physically,shebecomesaprisonerintheredroom:“Takeherawaytothered-room,andlockherinthere”(p.12).ThisabuseischaracteristicofMrs.Reed’sgeneralattitu
7、detowardsJane,continuallypreventingherfrombeingalovedmemberofthefamily,insteadmaintainingherasarelativenobetterthanaservant.Mrs.Reed’stormentisamethodofpalpableentrapment.However,Jane’sentrapment,evenasachi