资源描述:
《中国电影的后现代特征与价值(post modern features and values of chinese movies)》由会员上传分享,免费在线阅读,更多相关内容在教育资源-天天文库。
1、中国电影的后现代特征与价值(PostmodernfeaturesandvaluesofChinesemovies)PostmodernfeaturesandvaluesofChinesemoviesI.IntroductionFilmisaformofculture.Inthecontextofthepostmodernsociety,postmoderncinemaisacombinationofpostmodernismandmasscultureTheproductcameintobeing
2、,itisoftenassociatedwiththebusinesslogicofconsumersocietyandthehighlydevelopedscienceandtechnologymediatogether,adheringtothepostmoderncultureplane,withoutdepth,commercialization,replicationofthecharacteristics,blurringthelinebetweenthesecularandelega
3、nt,artandlifeexperience,thefilmfromtheperformanceofthecontent,reflectfromtheperspectiveofframestructure,andotheraspectsoftheimagelanguagedeconstructionandalienation."Totheextentthatthisisarevolutionarytypeoffilm,itrejectedtheabsolutenessofthetruthando
4、bjectivity,tomacronarrativeofmodernism,thewriter/directorIdenyGodnarrative,don'tbelieveeverything,tore-examinealltheattitudeofthesenseofsublimeandtragedyandasenseofmissionandsubversionfrom"I.Two,theconnotationofPostmodernismPostmodernism"thetheoryofpo
5、stmodernism,thereisnouniformpatternornomutuallycoherentpointofview,butitisdisorderlycombinationofsomanyideasofII,postmodernismasanewworldview,anewspiritandvaluesystem,apositiveinthereconstructionofthegraspthewayoftheworld,whichischaracterizedbymultina
6、tion,nocenter,antiauthority,scatteredandnodepth.Postmodernismisdeeplysuspiciousofholiness,order,convention,tradition,andevenallconceptsandsymbols.ItnotonlydoubtsromanticUtopia,doubtstherealismofrealism,andevendoubtsallkindsofintenseemotionscontainedin
7、Modernism:anxiety,loneliness,unspeakabledespairandmetaphysicalquestioning.Forpostmodernism,anydepthisimposedbythepeopleforacertainpurposeandisthereforesuspect.Thus,thedismantlinganddissolutionofdepthhasbecomeatypicalfeatureofpostmodernism.Three,thepos
8、tmodernfeaturesofChinesefilms(1)dispellingmetadiscourse"Inthepostmodernstate,Liottathoughtthatmetadiscourseandgrandnarrativeweremeaninglessandpointedoutthattodayistheeraof"metadiscourse".Inthefifthgenerationofdirectorsthere,orpublicityofthemai