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1、NEVILETheEloquentBodyTheEloquentBodyTheDanceandHumanistCultureContentsinFifteenth-CenturyItalyJENNIFERNEVILEAcknowledgmentsEloquentBody“Thisbookaddsanentirelynewdimen-EloquentBodysiontotheconsiderationofHumanismIntroductionandItalianculture.Itwillmakeawelcomeadditiontotheeldofculturalstudiesby1.Dan
2、ceandSocietybroadeningthesubjecttoconsideranimportantsourceofinformationthathas2.TheDanceTreatisesandHumanistIdealsbeenpreviouslyoverlooked.”DanceandHumanistCulture—TimothyMcGee,ProfessorEmeritusof3.EloquentMovement—EloquentProseMusicologyattheUniversityofToronto,andeditorofSingingEarlyMusic:ThePron
3、unciationinFifteenth-CenturyItalyofEuropeanLanguagesintheLateMiddleAges4.DanceandtheIntellectandRenaissance(IndianaUniversityPress,paperbackedition2004)5.OrderandVirtueTheEloquentBodyoffersahistoryandConclusionanalysisofcourtdancingduringtheRenaissance,withinthecontextofItalianHumanism.Eachchapterad
4、dressesdif-Appendix1.TranscriptionandTranslationofMSferentphilosophical,social,orintellec-fromFlorence,BibliotecaNazionaleMagl.VII1121,f.63r–69vtualaspectsofdanceduringthefteenthGiovanniCarsanigacentury.Sometopicsincludeissuesofeconomicclass,education,andpower;Appendix2.TheUseofMensurationSignsasPr
5、oportionrelatingdancetreatisestotheidealsofSignsintheDanceTreatisesHumanismandthemeaningofthearts;Appendix3.FloorTrackandMusicofAnello,Ingrata,ideasofthebodyastheyrelatetoele-Pizochara,andVerçeppegance,nobility,andethics;theintellectualhistoryofdancebasedoncontemporane-ousreadingsofPythagorasandPlat
6、o;andNotesacomparisonofgeometricdancestruc-BibliographyturestogeometricorderinHumanistIndexarchitecture.JenniferNevilehasaPh.D.inmusicol-ogyfromtheUniversityofNewSouthWales.Shehaspublishedmanyarticlesinearlymusic,history,anddancejournals,includingEarlyMusicandandRenaissanceQuarterly.Sheiscurrentlyan
7、HonoraryResearchFellowintheSchoolofMusicandMusicEducationatUNSW.Jacketillustration:DetailfromApolloniodiGiovanniandMarcoJENNIFERNEVILEdelBuonoGiamberti,Italian(Florentine),1415or1417–1465&http://iupre