论尼采美学中的音乐与形象--美学论文

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1、论尼采美学中的音乐与形象--美学论文　　尼采认为，现实和梦境必须是要有界限的，否则，作为个体的人就会陷入迷幻之中，把假象误认为现实，因此，日神必须具备某种“适度的克制，免受强烈的刺激，造型之神的大智大慧的静穆”，这其实就是尼采所一再强调的“个体化原理”，这是他借用自叔本华的一个基本术语；今天学习啦小编要与大家分享的是美学论文：论尼采美学中的音乐与形象。具体内容如下，欢迎参考阅读：论尼采美学中的音乐与形象 　　一　　众所周知，音乐所使用的“材料”皆为非物质性的，因此，它天然的具有反观念性，去概念性的特点，而形象则意味着将观念表象化，因

2、而，具备理性内涵。并且，音乐和形象在时空中的存在方式也大不一样，音符在时间流逝中相继呈现，而形象艺术则凝结在空间里，多数哲学家便是从以上两个角度出发将二者看做对立的范畴，继而将音乐看做是摆脱了视觉概念后的解放。　　提出“过程哲学”organizationsystemandworkingmode,theselectionofanumberofmunicipalstrengtheninggrouptobuildinnovationandstrengthentheorganizationofthebasiclevelorganizatio

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