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1、中西方美学比较（ComparisonofChineseandWesternAesthetics）AcomparisonbetweenChineseandWesternAestheticsTheaestheticcategoryofPhilosophy(two)contentChineseafterWeiandJinDynasties,theWestinthe"Renaissance",thedevelopmentofthetheoryofarttoanewheight,theheightofartisticphilosophy.Whatwearetodisc
2、usssomeofthemaincontentinthephilosophyofart:1.ofemotionTheWeiandJinDynastiesappearedintwoimportantarticle,apieceofCaoPi's"codeonthepaper",oneishis"WenFu";theformerputforwardto"gas",withdeepphilosophicalmeaning,thelatterwithemotion,isaworthyofthenameofartmonographsarticle.Thisarticl
3、emainlyelaboratedthepapertolove,loveforasenseoftherelationshipbetweensubjectandobjectinteraction.Theliterarycreationneedevokedemotionalandemotionalneeds,therearethingsoutsideofinfection.IneighteenthCentury17,withBacon,Hobbes,ShaftesburysastherepresentativeoftheBritishempiricismaest
4、hetics,psychologyresearchsubjectfirstattention,includingemotion,imagination,emotionalexperienceasaestheticbasis.Leibniz,Wolfe,BaumGiatenastherepresentativeoftheGermanrationalismaesthetics,theaestheticexperienceoftheexperienceofpartytoomuchemphasisonthetendencythatreasonisthemainpar
5、tofhumannature,onlyinaccordancewiththelawofreasonthingsarebeautiful,buttheyalsodonotdenythebeautyoftherole,BaumGiatensaid:"naturalabilityestheticianwithemotion,......Throughthisabilitywitheasyorientedaestheticunderstanding."ThebridgeofKantianAestheticssystemformally"emotion"as"know
6、ledge"and"meaning",andtriestoreconcilethecontradictionbetweenempiricismandrationalismaesthetics.2.oftheimaginationImaginationisaderivativeoftheemotion."WenFu"inthediscussionofemotion,thentalkedabouttheproblem:imaginetheideabeganisthestateofmeditation,theheartofGodChi,namelyfromtheo
7、utsideworldtocaptureimages,toachieveunityof"meaning"and"object".Thenthetransformationfromtheobjecttotheartisticrepresentation,bydimemotionbecomesclear,imagesandemotionfromtheexternalcapturematch,findalternativebuttobecomeemotionalartisticrepresentation.Asliteraryworks,artisticrepre
8、sentationonlywithappropria
