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1、viii毕业论文BetweenPleasureandReality:Fantasy/PhantasyinBruceLee’sKungFuMovies享乐与现实之间：李小龙功夫电影中的幻想viiiAbstractThisthesisaimstodealwithBruceLee’skungfumovieswithregardtothefantasy/phantasyexpressedinit.Inthisthesis,theconventionallyemphasizedmoviescenarioswillbeless
2、discussed,instead,attentionwillbepaidtotheessentialelementofthistypeofmovie,thatis,BruceLee’skungfu,JeetKuneDo.IwouldexaminehowBruceLee’skungfumovies,hisperformingart(JKD),andhiscinematicimageareconnectedtothepsychoanalyticconceptoffantasy/phantasy.Inthefirstc
3、hapter,Iwouldstartbydrawingonthetheoreticconceptoffantasy/phantasyelaboratedbytwoantitheticschools,onerepresentedbyJeanLaplancheandJ.B.Pontalis,andtheotherbySusanIsaacsandHannaSegal.Iwilldemonstratewhateachsect’stheoreticalcontentionhastocontributetoourunderst
4、andingofkungfuasatypeoffantasy/phantasy.Myargumentinthispartisthatkungfu,theperformingartactedoutbyBruceLee,standsforanotherembeddedfantasy/phantasywithinthecinematicfantasy/phantasy.Inthesecondchapter,IwillgoontointroduceBruceLee’spersonalphilosophicalannotat
5、iononhisartisticcreation,JKD.Hisannotationorwecouldcallitdoctrineprovidesenlighteningperspectiveforustobetterunderstandthecontentoffantasy/phantasyrevealedthroughthesebodilymovements.Itturnsoutthatitshiddencontentiscloselyrelatedtotheformationoftheego,theegoof
6、theviiiartist(BruceLee)andtheegoofthespectators.ThereforethetheoryofthevisiondevelopedinKajaSilverman’sTheThresholdoftheVisibleWorldwouldbeveryhelpfulforourpurposeofclarifyinghowproprioceptionandthemechanismofgazeareinterwoven.Myargumenthereisthatincreatingand
7、performingJKDmovements,thatis,whenimmersedinhisJKDfantasy/phantasy,BruceLee(asheclaimed)hasattained/feltatriumphalproprioceptiveegowhichisfreefromculturemarkings.However,Iwouldalsosaythatthistriumphalproprioceptiveegoremainsconstrainedunderthespectator’sgazewh
8、ichistheultimatelyfactorthatdeterminesthecontourofhisimage.Thegazepinshimupasanotheridealimagewhichisnotfreefromculturalmarkingsbutdistortsstereotypicalculturalmarkings.BothJKDthep
