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12021ᔁὃ⚪⚪ᜧ⚪ூᔁ21-23⚪ᦑ,ᦻ!ᳮᑨ$▅ᑡᦻ⚪ᡠḄAஹBஹCD⌱⚗,⌱ᨬ⌱⚗ᙠ⚪!"⚗#$ALeslieNielsen'schildhoodwasadifficultone,buthehadoneparticularshiningstarinhislife-hisuncle,whowasawell-knownactor.TheadmirationandrespecthisuncleearnedinspiredNielsentomakeacareer &'(inacting.Eventhoughheoftenfelthewouldbediscoveredtobeano-talent,hemovedforward,gainingascholarshiptotheNeighborhoodPlayhouseandmakinghisfirsttelevisionappearanceafewyearslaterin1948.However,becomingafull-time,successfulactorwouldstillbeanuphillbattleforanothereightyearsuntilhelandedanumberoffilmrolesthatfinallygothimnoticed.Buteventhen,whathehadwasn'tquitewhathewanted.Nielsenalwaysfeltheshouldbedoingcomedybuthisgoodlooksanddistinguishedvoicekepthimbusyindramaticroles.Itwasn'tuntil1980-32yearsintohiscareer-thathelandedtheroleitwouldseemhewasmadeforinAirplane/Thatmovieledhimintothesecondhalfofhiscareerwherehiscomedicpresencealonecouldmakeamovieafinancialsuccessevenwhenmoviereviewerswouldnotrateithighly.DidNielsenthenfeelcontentinhiscareer?Yesandno.Hewasthrilledtobedoingthecomedythathealwaysfeltheshoulddo,butevenduringhislastfewyears,healwayshadasenseofcuriosity,wonderingwhatnewroleorchallengemightbejustaroundthecomer.Heneverstoppedworking,neverretired.LeslieNielsen'sdevotiontoactingiswonderfullyinspiring.Hebuiltahugelysuccessfulcareerwithlittlemorethanplainoldhardworkanddetermination.Heshowedusthatevenasingledesire,nevergivenupon,canmakeforaremarkablelife.21.WhydidNielsenwanttobeanactor?A.Heenjoyedwatchingmovies.B.Hewaseagertoearnmoney.C.Hewantedtobelikehisuncle.D.Hefelthewasgoodatacting.22.WhatdoweknowaboutNielseninthesecondhalfofhiscareer?A.Hedirectedsomehighqualitymovies.B.Heavoidedtakingonnewchallenges.C.Hefocusedonplayingdramaticroles.D.Hebecameasuccessfulcomedyactor.23.WhatdoesNielsen5scareerstorytellus?A.Artislong,lifeisshort.B.Hewholaughslastlaughslongest.C.It'sneverloolatetolearn.D.Wherethere'sawillthere'saway.ூ&'(ᫀ21ஹC22ஹD23ஹDூ,⚪-᪆ூ)᪆-ூᑖ᪆-ᦻ./012ᦻᦻ34⌕678LeslieNielsenḄ:;<= 21⚪>)?⁚ᳮ)⚪BCᦻ3D/E“hisuncle,whowasawell-knownactor.TheadmirationandrespecthisuncleearnedinspiredNielsentomakeacareerinacling.FGḄHH./I℉KḄ:ᕒNielsenḄHHᡠᡡNḄOPQRSTGU8:;V'(“XYNielsenZ[:ᕒḄ\.Z]GHH•᪵ᦑ⌱C⚗/ூ22⚪>)•?⁚ᳮ)⚪BCᦻ3DaE'"Thatmovieledhimintothesecondhalfofhiscareerwherehiscomedicpresencealonecouldmakeamovieafinancialsuccessevenwhenmoviereviewerswouldnotrateithighly.FbcᵯefGgᐭ8&'<=ḄijEᓽfelmnbcᵯelopqrsstGḄuᒓ⊤:xXyfbcᵯezN{|Ḅᡂ~(“XYᙠNielsen&'<=ḄijEGᡂ8/ᡂ~Ḅuᒓ:ᕒᦑ⌱D⚗
2ூ23⚪>)•ᳮᑨ⚪Bᐰᦻᔠᦻ3ᨬi/E“Hebuiltahugelysuccessfulcareerwithlittlemorethanplainoldhardworkanddetermination.Heshowedusthatevenasingledesire,nevergivenupon,canmakeforaremarkablelife”GtḄ8/ᡂ~ḄV'Gᡃᓽf.ᨵ/pᡂxḄm<(''XYNielsenḄ&'{ᔊᡃᨵ¡ὅV£ᡂᦑ⌱D⚗/•---------------------------------“3456---------------------------------•2L23-1ூ/Ạp¤ornin1965,ShaniaTwainwasthesecondoffivechildreninherfamily.Attheageoftwo,shemovedwithhermotherandtwosisterstoTimmins,atownnorthofToronto.WhenShaniawaseightyearsold,hermothertookhertomanydifferentbars,clubsandconcertstoperform.Inhighschool,Shaniajoinedalocalband,withwhichsheoftenperformed.Afterthat,ShaniamovedtoToronto,whereshecontinuedsinging.WhenShaniawas21yearsold,herparentswerekilledinacaraccident.ShehadtotakeovertheroleofparenttoheryoungersiblingsFᐘ¦§¨(.Takingcareoftwoteenagebrothersandasisterwasadifficultthing.Suddenly,shehadtopaythebills,keepfoodonthetable,andmakealiving.Anyway,Shaniamanagedtopaythebillsbysinginghereandthere.In1991,ShaniawenttoNashville,thehomeofthecountrymusicindustry.In1993,sherecordedShaniaTwain,herfirstCD.In1995,hernextCD,TheWomaninMe,whichhadeighthitsongs,soldmorethantenmillioncopies.HerthirdCD,ComeonOver,wasalsopopularandshehadanotherhitsong.ShaniaandRobertLange,afamousproducer,gotmarriedin1993.Afterfinishingher2000worldtour,shedecidedtotakeabreakfromperforming.InAugust2001,theyhadalovelyson,whomtheynamedEja.AfterSeptember11th,Shaniadecidedtospendmoretimeonherfamilyandstayedathomeuntilthefallof2002.HerreappearanceFª(inthemusicworldputherfaceonmagazinecoversandcountrymusicpublications.ShealsobegantopromoteF«¬hernewCD,Up,onTVshows.1ஹAccordingtothetext,Shania.A.wenttoTimminsin1965B.wasbomintoamusicalfamilyC.begansinginginpublicatanearlyageD.recordedherfirstCDinhighschool2ஹWhat'stherightorderoftheeventsinShaniaTwain'slife?a.ShemovedtoNashville.b.ShemarriedRobertLange.c.Shelostherparentsforever.d.ShepromotedUponTVshows.e.SherecordedTheWomaninMe.A.c,b,a,d,eB.a,c,e,b,dC.c,a,b,e,dD.a,b,e,d,c3ஹWhatdoestheauthormainlytalkaboutinthetext?A.WhyShaniaTwainchosetobeasinger.B.Agirl'sroadtosuccessasasinger.C.Howdifficultitistobecomeasinger.D.ShaniaTwain'sopiniononmusic.ூ&'(ᫀ1ஹc2ஹC3ஹB21-23-2ூ7ᓣJodieFosterwasbomonNobember19,1962,inLosAngeles,Carlif.,US.SheisanAmericanfilmactresswhobeganhercareerasamatureFᡂḄ(childactress.Jodiebeganherperformingcareerasaveryyoungchildintelevision,appearingfirstincommercialsFᖪ'¯(.Shestarredinherownshort-livedseries.PaperMoon 1974,basedonthe1973filmofthesamename.SheappearedinanumberofDisneyfilms,beginningwith
3NapoleonandSamantha(1972).DirectorMartinScorsesecastJodieinabitpartinAliceDoesn'tliveHereAnymore(1974)beforegivinghertheroleofIrisinTaxiDriver(1976).HermatureperformanceinTaxiDriverearnedheranAcademyAwardnomination(±K)asbestsupportingactress.Herlaterfilmsaschildactresswerelessimpressive,butherperformanceswerealwaysadmired.JodiegraduatedfromYaleUniversityin1985.Perhapsbecauseofherscreenimageofearlymaturity,Fosterwasablertomakearelativelysmoothtransitiontoadultroles.InTheAccused(1988),shegaveaperfectperformanceasSarahTobias.InTheSilenceoftheLames(1991),shetracksakillerasFBIagentClariceStarling.BothperformanceswonherAcademyAwardsasbestactress.In1990s,Jodiewentintootherareasoffilmmaking.Shedirectedherbestfilm,LittleManTate,in1991,inwhichshealsoco-starrcd.In1994,sheco-producedNell,forwhichshealsoreceivedanOscarnominationforbestactress.In1997,FosterstarredinContact.HerlaterfilmsincludedPanicRoom(2002),InsideMan(2006),andTheBraveOne(2007).1ஹWhichofthefollowingfilmwonJodieFosterAcademyAwardsasbestactress?a.TaxiDriverb.TheAccusedc.Nelld.TheSilenceoftheLambsA.bcdB.acC.bdD.abcd2ஹWecanlearnfromthepassagethat.A.itwasinaTVseriesthatJodiemadeherfirstTVappearance.B.somcofJodie'sperformancesasachildactresswerethoughttobeverybad.CJodiebecamefamousatayoungagebecauseofhermatureperformance.D.JodieplayedaveryimportantroleinAliceDoesn'tLiveHereAnymore.3ஹInwhichpartofanewspaperwouldyoumostprobablyreadthispassage?A.PeopleB.BusinessC.FashionD.Careerூ&'(ᫀ1ஹc2ஹC3ஹA21-23-3ூ7ᓣCharltonHestonwasbornin1923inEvanston,Illinois.CharltonHestondiscoveredhisinterestinactingwhileperforminginplaysathishighschool.HelaterspenttwoyearsstudyingtheateratNorthwesternUniversityinEvanston,Illinois.ButheleftcollegetojointheArmyAirForcesduringWorldWarTwo.Afterthewar,hefoundsmallrolesinthetheateraswellasintelevisionshows.HisperformanceinatelevisionversionofthebookJaneEyrecaughttheattentionoftheHollywoodproducerCecilB.DeMillewholateraskedHestontoplaytheroleofMosesinhismovieTheTenCommandmentswhichcameoutin1956.ThisrolemadeHestonfamousanddefined(³´)hiscareerasaheroandleader.Hisfaceandbodyrepresentedstrengthandheroisminmanydifferentroles.Heplayedcowboys,soldiersandathletes.The1959movieBenHurmadeCharltonHestonanevenbiggerstar.BenHurwonelevenAcademyAwards,includingBestActorforCharltonHeston.Hestonstarredinmanyadventuremoviesduringthe1960s.Inthe1970s,HestonappearedinpopulardisastermovieslikeEarthquake,.SkyjackedandAirport1975.CharltonHestonwasalsoveryactiveinthemovieindustry.HeworkedtohelpsetuptheAmericanFilmInstitute.In1977hewashonoredforhisserviceintheindustry.HereceivedtheJeanHersholtHumanitarianAwardfromtheAcademyofMotionPictureArtsandSciences.In1997hewasawardedaKennedyCenterHonor.And,in2003,PresidentBushgaveCharltonHestonaPresidentialMedalofFreedom,thenation'shighestcivilianhonor.In2000,CharltonHestonissuedastatementannouncingthathehadanAlzheimer'sdisease.Hediedin2008athishomeinBeverlyHills,California.1ஹWhatkindofroledidCharltonHestonoftenplayinfilms?A.Heroes.B.Cowboys.C.Soldiers.D.Athlctes.
42ஹWhichfilmwonBestActorforCharltonHeston?A.JaneEyre.B.Earthquake.C.BenHur.D.TheTenCommandments.3ஹWhatcanwelearnaboutCharltonHestonaccordingtothepassage?A.HebegantoshowhistalentinBenHut.B.Heusedtobeasoldier.C.HewasonceawardedbyKennedy.D.HewonelevenAcademyAwards.4ஹWhat'sthemainideaofParagraph2?A.HowCharltonHestonbecamefamous.B.HowCharltonHestonbeganhiscareer.C.WhomadeCharltonHestonapopularstar.D.WhomadeCharltonHestonwinsomanyawards.ூ&'(ᫀ1ஹA2ஹC3ஹB4ஹB21-23-4ூ9:ReeseWitherspoonwasbornonMarch22,1976inNewOrleans,Louisiana.Sheisthesecondchildofthefamily.ReesespentthefirstfouryearsofherlifeinWiesbaden,Germany,whereherfatherJohnWitherspoonservedintheUSArmyReserves.Shortlyafter,JohnmovedthefamilybacktotheUnitedStates,settlinginNashville,Tennessee.Reesewasintroducedtotheentertainmentindustryataveryearlyage.Atage7,shebeganmodeling.Thisledtoappearancesonseverallocaltelevisioncommercials.Atage11,shewasplacedfirstinaTen-StateTalentFair.In1990,shelandedherfirstmajoractingroleinTheManintheMoon(1991).Herroleasa14-yearoldtomboyearnedhergoodreviews.RolesinbiggerfilmssuchasJacktheBear(1993)andAFarOffPlace(1993)followedshortlyafter.Followinghighschoolgraduationin1994,ReesedecidedtohaveapauseinheractingcareerandattendStanfordUniversitywhereshewouldmajorinEnglishliterature.However,herplanswereshortlystoppedwhensheacceptedrolestostarintwomajormotionpictures.Althoughneitherfilmwasahugebox-officesuccess,theydidhelptomakeReesearisingstarinHollywoodandopenthedoorforbiggerandbetterfilmroles.HerbreakthroughrolecameasElleWoodsinthe2001comedyLegallyBlondeInboxofficeterms,themoviewasagreatsuccessandmadeReeseoneofthetopfemalestarsinHollywood.Intheyear2014,sheproducedbothGoneGirlandWild,forwhichshegotnominated(±K)forabestactressOscaragainforherrole.Reeseisactivelyinvolvedinchildren'sandwomen'sadvocacyorganizations.SheisalongtimesupporterofSavetheChildren,anorganizationthathelpsprovidechildrenaroundtheworldwitheducation,healthcareandemergencyaid.1ஹWhydidReesestopherstudiesatStanfordUniversity?A.Becauseshestanedintwosuccessfulfilms.B.BecauseshewasmorefamousinHollywood.C.Bccauseshewasinvolvedinadvocacyorganizations.D.Becauseshedecidedtotakeonrolesintwoimportantfilms.2^Whatistheauthor'sattitudetowardReese?A.Caring.B.Defensive.C.ConfusingD.Admiring.3ஹHowdoesthepassagedevelop?
5A.Followingtheorderoftime.B.Usingfigures.C.Givingexamples.D.Makingcomparison.ூ&'(ᫀ1ஹD2ஹD3ஹA21-23-5ூ/ẠPopidolsarecelebritieswhoburnbrighterthanregularstars.Ifastarissomeoneyoucanrecognizeonthestreet,anidolissomeonewhowillcauseastiratapublicappearance.Withoutfans,anidolisjustanordinaryperson,likeyouandme.AsReeseWitherspoononcesaidwhileannouncingtheOscarfbrbestmake-up,moviestarslookjustlikepeopleindocumentariesFµ¶ᱏ(ifyouseethemwithoutmake-up.Iwasonceinvitedtoaprivatepartywhereabouthalfoftheguestswerestarsandtheotherhalfentertainmentreporters.Guesswhat?Thegood-lookingoneswerethereportersbecausetheytendtobeyoung,andtheyglowwithoutmake-up.Someidolsareborn;somearcmade.Mostidolsarecreatedbyamachinecalledtheentertainmentindustry.Theymayhavesomecharmsandtalent,butnotenoughtobecomefamous.Theyaretherawmaterialoutofwhichastar,orevenanidol,ismade.Anarmyofbehind-the-scenesassistantswillhypeF᮴¹(orevenmakeuptheirvirtuesandhidetheirshortcomings.ParisHiltonisthekindofstarwhopossessesnorealtalentbutyetisquitewell-known.Thisistheresultofendlesshype.Ifyouarethrustintothelimelightoftenenough,youcanbecomeacelebritywithouthavinganytalent.Televisioncontestshowscreateamuchfairermoretransparentplatformwhereyoungpeoplecancompeteandshowcasetheirtalent.ThesoapoperaisanotherplatR(rmfbridolmaking.Thesedramaseriesarelong,givinganactormuchneededexposure.Theactorsandactressesarealwayswell-lit,madeupandbeautifullydressed.NowalltheyneedissomegooddialoguefromthescriptwriterFºᒓ(.1ஹWhichofthefollowingstatementsagreeswiththewriter'sviewpoint?A.Mostidolsareborn.B.Theentertainmentindustryismorepopular.C.ManystarsareoftengoodlookingD.Popidolsarenotasprettyasyouthink.2ஹWhydoesthewriterusetheexampleofParisHilton?A.Toshowthathypeisanimportantelementinmakingastar.B.ToindicatethatParisHiltonisveryfamous.C.Toproveastaroftenlackstalent.D.Toshowastarispopularbecauseoftheactingskills.3ஹWhatdoesthewriterthinkofthetelevisioncontestshow?A.Morepractical.B.Moreformal.C.Moreequal.D.Morecompetitive.ூ&'(ᫀ1ஹD2ஹA3ஹC21-23-6ூ9:Wedon,talwaysgetasecondchancetoachieveourdreams.Butsomepeoplearelucky,likeMatthewMcConaughey.Oncealmostunknown,theactorhasrecentlyfoundhimselfbackonthelistofthebestactorsinHollywood.HisnewmovieInterstellarisjustanothersignthathiscareerreinventionhasbeenanincrediblesuccess.4tThefilmreliesonMcConaughey'sperformancetoholdtogethertheemotionalstoryofafatherandhisdaughteragainstthebackgroundofspacetravelandtheendoftheworld,'Torbescommented.Butonlyyearsago,theTexasnativewasoftenthebuttofjokes »¼aboutbeingtoohandsome.In1993,aftermeetingwithdirectorRichardLinklater,McConaugheystarredinDazedandConfused.AndaHollywoodcareerwasborn,mostlyinromanticcomedies.Fora
6longtime,thewholeworldbelievedMcConaugheywasjustahandsomeguywithcomictalent.ButMcConaugheystoppedstarringinthattypeofmovie,andbegantousehislooksdifferently.Slowlyhebuiltuphisreputationasaseriousactor.In2013,McConaugheywasofferedtoplayanAIDSactivistinDallasBuyersClub.Therolesawthenormallymuscularactorlosing50poundsinordertoappearsick.HisperformancewonhimanOscarforBestActor.TheactorgavethankstosomeonehehasalwayslookeduptoasaheroduringhisOscaracceptancespeech.Whenhewas15,theactorsaid,hedecidedthathisherowouldbehimselfin10years.But10yearslater,hepushedthedeadlineaheadanotherdecade.Then10yearslater,anotherdecade.l4Myhero'salways10yearsaway,“hesaid.'Tmnevergoingtoattainthat.Thatkeepsmewithsomebodytokeeponchasing."Orperhapsconstantlychasingthechancetobehisownherohasgivenhimasecondchancetofollowhisdreams.1ஹWhywasMcConaugheyoftenthebuttofjokesinhisearlycareer?A.Hewaslimitedtohandsomeroles.B.Hcwasunknowntotheaudience.C.Heplayedinromanticcomedies.D.Hewashandsomeandemotional.2ஹWhatrolewonMeConaugheyanOscarforBestActor?A.Acaringfather.B.AnAIDSactivist.C.Aseriousbuyer.D.Astronghero.3ஹWhatcanwelearnaboutMcConaughey?A.HewasborninHollywood.B.Hchasbecomeaheroofhisown.C.Hewasn'lfhmousuntilrecently.D.Heisn,tcontentwithhisachievements.ூ&'(ᫀ1ஹA2ஹB3ஹDூ;ᔁ24-27⚪ᜳᜳ=>?ᜧ@@Aᓄ᪗⚪ᑨ$BWeliveinatownwiththreebeaches.Therearetwoparkslessthan10minutes'walkfromhomewhereneighbourhoodchildrengathertoplay.However,whatmychildrenwanttodoafterschoolispickupascreen-anyscreenDandstareatitforhours.Theyarenotalone.Today'schildrenspendanaverageoffourandahalfhoursadaylookingatscreens,splitbetweenwatchingtelevisionandusingtheInternet.Inthepastfewyears,anincreasingnumberofpeopleandorganisationshavebeguncomingupwithplanstocounterthistrend.Acoupleofyearsago,film-makerDavidBondrealisedthathischildren,thenagedfiveandthree,wereattachedtoscreenstothepointwherehewasabletosay“chocolate“intohisthree-year-oldson'searwithoutgettingaresponse.Herealisedthatsomethingneededtochange,and,beingaLondonmediatype,appointedhimselfMmarketingdirectorforNaluren.Hedocumentedhisjourneyashesetabouttreatingnatureasabrandtobemarketedtoyoungpeople.TheresultwasProjectWildThing,afilmwhichchartsthebirthoftheWildNetwork,agroupoforganisationswiththecommongoalofgettingchildrenoutintonature.“Justfivemoreminutesoutdoorscanmakeadifference,nDavidBondsays."Thereisalotofreallyinterestingevidencewhichseemstobesuggestingthatifchildrenareinspireduptotheageofseven,thenbeingoutdoorswillbeahabitforlife.MHisownchildrenhavegotintothehabitofplayingoutsidenow”Wejustsendthemoutintothegardenandtellthemnottocomebackinforawhile.”Summerisuponus.Thereisanamazingworldoutthere,anditneedsourchildrenasmuchastheyneedit.Letusgetthemoutandletthemplay.24.Whatistheproblemwiththeauthor'schildren?A.Theyoftenannoytheneighbours.B.Theyaretiredofdoingtheirhomework.C.Theyhavenofriendstoplaywith.D.Theystayinfrontofscreensfortoolong.25.HowdidDavidBondadvocatehisidea?A.Bymakingadocumentaryfilm.B.Byorganizingoutdooractivities.C.ByadvertisinginLondonmedia.D.Bycreatinganetworkoffriends.
726.Whichofthefollowingcanreplacetheunderlinedword“charts“inparagraph2?A.recordsB.predictsC.delaysD.confirms27.Whatcanbeasuitabletitleforthetext?A.LetChildrenHaveFunB.YoungChildrenNeedMoreFreeTimeC.MarketNaturetoChildrenD.DavidBondARoleModelforChildrenூ&'(ᫀ24ஹD25ஹA26ஹA27ஹCூ,⚪-᪆ூ)᪆•ூᑖ᪆-ᦻ.•012ᦻᦻ34⌕678ᵯeᑴ¹mDavidBondñ8òóôõö÷øùûüḄýþ!ûᯠ ├•ூ24⚪⁚ᳮ⚪᪷Ḅ"However,whatmychildrenwanttodoafterschoolispickupascreen—anyscreen-andstareatitforhours. ᯠᡃḄ!"#$%&'Ḅ()*+,——./+,——0Ḽ234567''9:ὅḄ!ᙠ+,=ᕆḄ6?@ABᦑ⌱D⚗ூ25⚪⁚ᳮ⚪᪷F“Hedocumentedhisjourneyashesetabouttreatingnatureasabrandtobemarkedtoyoungpeople”GHIBGḄJKGLMNᜧPᯠ Q3ᑮ7“9:DavidBondTUVWIᱏYZGḄ&[ᦑ⌱A⚗•ூ26⚪\]^_⚪᪷ᑜa\bᦻ“afilm”9:d]ef(gᵯijᦻ“thebirthoftheWorldNetworkklmnoḄpq7''rBsgᵯiḄetᵫv:ᑜa\chartswx“HIஹz{”}“records”w~ᦑ⌱A⚗ூ27⚪etᜧw⚪᪷FḄ"Hedocumentedhisjourneyashesetabouttreatingnatureasabrandtobemarketedtoyoungpeople.TheresultwasProjectWildThing,afilmwhichchartsthebirthoftheWorldNetwork,agroupoforganisationswiththecommongoalofgettingchildrenoutintonature.kGNPḄJHIjᩭLMNPᯠ ├ᐸ(ProjectWildThing,gHIBWorldNetworkklmno7pqḄᵯiWorldNetworkklmno7(Q!"ᜧPᯠxᐳ᪗Ḅ7''9:dᦻe⌕BᵯiᑴDavidBondxBQ!"+,VPḄJPᯠ ├ᵫv9:C⚗MarketNaturetoChildrenkNPᯠ├7〉ᔠdᦻ᪗⚪ᦑ⌱C⚗•----------------------------------------------------------------..24-27-1ூ/ẠjChildrcn'saveragedailytimespentwatchingtelevisionorusingmobiledeviceincreasedfrom53minutesat12monthsoldtomorethan150minutesat3yearsold,accordingtoananalysisbyresearchersattheNationalInstitutesofHealth.Childrenaged7weremorelikelytospendthehighestamountofscreentimeiftheyhadbeeninbadhome-basedchildcareorwereborntofirst-timemothers.“Ourresultsindicatethatscreenhabitsbeginearly,“saidEdwinaYeung,aninvestigatorinNationalInstituteofChildHealthandHumanDevelopment(NICHD),“Thisfindingsuggeststhatinterventionstoreducescreentimecouldhaveabetterchanceofsuccessif
8introducedearly.”Intheresearch,mothersof4,000childrenrespondedtoquestionsontheirkids1mediahabitswhentheywere12,18,24,30,and36monthsofage.TheAmericanAcademyofPediatricsrecommendsavoidingdigitalmediaexposureforchildrenunder18monthsofage,introducingchildren18to24monthsofagetoscreenmediaslowly,andlimitingscreentimetoanhouradayforchildrenfrom2to5yearsofage.Inthecurrentstudy,researchersfoundthat87%ofthechildrenhadscreentimeexceedingtheserecommendations.Howeverwhilescreentimeincreasedthroughoutinfancy,after8yearsofage,screentimefelltounder1.5hoursperday.Theresearchersbelievethisdecreaserelatestotimeconsumedbyschool-relatedactivities.Thestudyauthorsclassifiedthechildrenintotwogroupsbasedonhowmuchtheiraver-agedailyscreentimeincreasedfromage1toage3.Thefirstgroup,73%ofthetotal,hadthelowerincrease,fromanaverageofnearly51minutesadaytonearlyanhourand47minutesaday.Tliesecondgroup,27%ofthetotal,hadthehigherincrease,fromnearly37minutesofscreentimeadaytoabout4hoursaday.Higherlevelsofparentaleducationwereassociatedwiththeloweroddsofinclusioninthesecondgroup.1ஹWhichofthefollowingisareasonforchildren'saddictiontothemedia?A.Loweconomiclevel.B.PoorfamilyeducationC.Themedia'sattraction.D.Theshortageofparents'love.2ஹWhafsEdwina'sadvice?A.Tostopchildrenusingthemedia.B.TbhelpparentscareforchildrenwellC.Toreducechildren'sscreentimeearlierD.Toincreaseinterventiontochildren3ஹHowdidtheauthordevelopthemainbodyofthetext?A.Bygivingsomeexamples.B.Byshowingsomedata.C.Byanalyzingsomereasons.D.Byconcludingsomeresults.4ஹWhatdoestheunderlinedword"odds"inthelastparagraphmean?A.Probability.B.Price.C.Cost.D.Income.ூ&'(ᫀIஹB2ஹC3ஹB4ஹAToday,wcarctold,childrendon'tspendenoughtimeinthefreshair.ManyofthemarcaddictedtoascreeneitheronacomputeroraTV—theyseemtobelivinginavirtualworld.Theyhavelosttouchwithnature.Butnow400organizationsintheUK,fromplaygroupstotheNationalHealthService,areencouragingchildrentohavesome“wildtime”.Theywantkidstoswapatleast30minutesofwatchingTVorplayingcomputergamesfortimeplayingoutside.Activitiessuchasbuildingdens,climbingtrees,rummagingR)rconkersandplayinghideandseekarejustsomeofthethingskidscando.Eveniftheyliveinacity,theycangoonadventuresinthegardenorthepark.Childrenoftenneedahelpinghandfrommomanddad.Theyneedtobeshownwhattodoandwheretogo.AndySimpsonfromNationalHealthServicesays,“Wewantparentstoseewhatthismagicalwonderproductdoesfbrtheirkids'development,independenceandcreativity.,bygivingwildtimeago”.Sodespitethecomplicatedworldthatyoungpeoplegrowupinnow,itseemsthatgoingbacktobasicsandexperiencing"nature'splayground''iswhatmodemchildrenneed.DavidBondfromProjectWildThingsays,“Weneedtomakemorespacefbrwildtimeinchildren'sdailyroutine,freeingthisgenerationofkidstohavethesortofexperiencesthatmanyofustookfbrgranted”.Thismightsoundabitoldfashionedtoyouormaybe,likeme,it'smadeyouthinkaboutstickingonyourboots,gettingoutdoorsandrelievingyourchildhood.There'snoagelimitonenjoyingyourself!1ஹWhat'sthebesttitleofthetext?
9A.WildtimeforchildrenB.BenefitsofwildtimeC.MorcspaceforchildrenD.Adventuresofchildren2ஹChildrenareencouragedtodothefollowingactivitiesexcept.A.buildingdensB.climbingtreesC.playinghideandseekD.watchingTV3ஹAccordingtoAndySimpson,weknowthat.A.wildtimeishardtodesignB.wildtimeisbeneficialforchildrenC.parentsknowtheimportanceofwildtimeD.parentslikekeepingtheirchildrenindoors4ஹWhat'sthemainideaofParagraph4?A.Modernchildrenneedwildtime.B.Adultsvalueoutdooractivities.C.Thcpresentworldiscomplicated.D.Thisgenerationofkidshavenofreedom.ூ&'(ᫀ1ஹA2ஹD3ஹB4ஹA24-27-3ூ7ᓣTeenagerswhospendmoretimewatchingTV,usingiPadsandplayingelectronicgamestakelongertofallasleepandgetpoorerqualityrest.Anewstudysuggeststhegrowthinuseofelectronicmediadevicesbychildrencouldharmtheirphysicalandmentalhealth.The16-19-year-oldswereaskedhowmuchscreentimetheyspentoutsideschoolhours,andonwhatactivities,foranyofsixelectronicdevices:computer,tablet,smartphone,MP3player,gamesconsolek¡¢7andTV.Theywerealsoaskedquestionsabouttheirsleeproutineonweekdaysandatweekends:whentheynormallywenttobedandgotup;howmuchsleeptheyneededtofeelrested;andhowlongittookthemtogettosleep.Girlsspentlongerontheircomputerschattingonlinewhileboysspentlongerplayinggamesoncomputers.Thestudyfoundpoorerqualitysleepwasrelatedtomoretimespentonsuchdevices,anditoftentookmorethananhourtodropoff.Totaldaytimescreenuseofmorethanfourhourswasrelatedtoa49percentgreaterriskoftakinglongerthan60minutestofallasleep.Onaverage,theteenssaidtheyneeded8-9hoursofsleeptofeelrested.Butthosewhospentmorethantwohoursemailingorchattingonlineweremorethanthreetimesaslikelytosleepfbrlessthanfivehours.Thosespendingmorethanfourhoursinfrontofanyscreenwere3.5timesaslikelytosleepforlessthanfivehours.Computerswerethedevicemostlikelytocauseproblems.DrMariHysing,ofUniResearchHealth,Bergen,saidscreenusemaysimplyreplacesleepingtimeoritmayaffectsleepbystimulatingthenervoussystem.Itisalsopossiblethatthelightfromelectronicdevicesmayaffectateenager'sbodyclock."TherecommendationisnottohaveaTVinthebedroom,“addedDrMariHysing.1ஹWhatdoboysprefertodoontheInternet?A.TheyprefertowatchTVoncomputers.B.Theyprefertogetsolutionsfbrhomework.C.Theyprefertomakefriendswithothers.D.Thcyprefertospendtimeoncomputergames.
102ஹTheunderlinedphrase“dropoff'inthethirdparagraphmaymean"'A.getupB.payforC.takeoverD.fallasleep3ஹWhatwillhappenifchildrenspendovertwohoursonline?A.Theywillsufferfromlackofsleep.B.Theywillsleepforovereighthours.C.Theywillfeelexcitedduringdaytime.D.Theywillcreateanewbodyclock.4ஹWhatdoesDrMariHysingadvisepeopletodo?A.changethechildren'ssleepingtimeB.findwaystostimulatenervoussystemC.makechildrensleepastheycouldD.removeelectronicdevicesfromchildren'sbedroomூ&'(ᫀ1ஹD2ஹD3ஹA4ஹD24-27-4ூ9:InanewstudypublishedinjournalJAMAPaediatrics,researchersfoundtheamountoftimethatchildrenundertheageoftwospendlookingatscreensondigitaldeviceshasmorethandoubledovera17-yearperiod.Theteamtookalookbackatatimewhenmobilephoneusewasfarlesscommonthanitistoday,assessingchildren'sscreentimein1997andthencomparingitto2014.TheresearchersusedstatisticspreviouslygatheredbytheChildDevelopmentSupplementPanelStudyofIncomeDynamicsattheUniversityofMichigan,analysingdataregarding1,327childrenin1997and443childrenin2014.Accordingtotheirfindings,childrenundertheageoftwointheUSwouldspendanaverageof1.32hoursinfrontofascreenonadailybasisin1997.By2014,thisaveragehadincreasedto3.05hours,morethandoublingover17years.Incomparison,childrenagedbetweenthreeandfivespentanaverageoftwoandahalfhoursinfrontofscreensonadailybasisin1997.Thishadincreasedslightlytothreehoursadayby2014.“Thereisgrowingconcernovertheamountoftimethatchildren,particularlyveryyoungchildren,spendwatchingshowsandinfrontofscreens,"saidWeiweiChen,assistantprofessorintheDepartmentofHealthPolicyandManagement.lfcOurfindingsweresurprisingasitfeelslikemobiledevicesarceverywhere,buttelevisionsarestillthemostcommonwayforyoungchildrentoconsumemedia.Furtherresearchisneededtoassesschangesinmediaconsumptionanddeviceuseinmorerecentyears.”Expertswarnedthatvulnerablechildrencouldfacebecoming“lostindigitalspace“asthey'regrowingupwithoutenoughInternetsafetyeducation.1ஹWhatcanweknowaboutthenewstudy?A.Ittook17yearstoconduct.B.Itincludedchildrenbornin1997.C.Itcomparedstatisticsfromtwodifferentperiods.D.Itwasdonebytwoorganizationsworkingtogether.2ஹHowdidthedailyscreentimeofchildrenbetween3and5change?A.Italmostdoubled.B.Itreducedslightly.C.Itreached2.5hours.D.Itsawasmallchange.3ஹWhatsurprisedtheresearchers?A.ChildrenspentmoretimeonTVthanonmobiledevices.B.Digitaldevicesgainedmorepopularityamongchildren.
11C.Childrenstaredatscreensformuchlongerthanbefore.D.Digitaldevicesfailedtoattractyoungchildren.4ஹWhatisthebesttitleforthetext?A.ScreenTimeDamagesChildren'sHealthB.NewMethodsFoundtoReduceScreenTimeC.ParentsInstructedtoLimitChildren'sScreenTimeD.ChildrenunderTwoSpendTwiceLongeronScreensூ&'(ᫀ1ஹc2ஹD3ஹA4,D24-27-5ூ/ẠiAcampaignk£¤7isbeinglaunchedtoencouragechildrentogiveup30minutesofscreentimeadaytoheadforthegreatoutdoors.ThenewlyformedWildNetwork—acooperationofnearly400organisations-istryingtoattractteenagersawayfromtelevisionandcomputerscreenandintofields,woodsandparks.OrganiserssaythatitistheUK'sbiggestevercampaigntoreconnectchildrenwithnatureandoutdoorplay,andthatitcouldhelpimprovefitness,mental ¥Ḅ7healthandgeneralwellbeing.Adocumentaryfilm,ProjectWildThing,willannouncethelaunchatmorethan50cinemasacrosstheUKfromFriday.Itlooksattheincreasinglyweaklinkbetweenchildrenandnature.AndySimpson,chairmanoftheWildNetwork,said:"Thesadtruthisthatkidshavelosttouchwithnature.Timespentoutdoorsisdown,activityareasandlevelsarefallingstronglyandtheabilitytoidentifycommonspecieskᱥ§7hasbeenlost."Suggestionsofhowtogetmoretimeinnatureincludecampingorracingandobservingautumncolourontreesandsoon.FromJanuary,thenetworkwillaimtomakesuggestionstopoliticiansonhowgovernmentcandomoretogetchildrenmuddy ¨©ª«Ḅandbright-'-eyed.Thisisnotthefirsttimethemessageoflessscreen,moreplayhasbeenbroughtup.Childreninthe1980swereaskedtodothesamebytheBBCTVseriesWhyDon'tYou,whichsomewhatconfusinglycalledonitsviewersto"switchoffyourTVset,anddosomethinglessboringinstead".1ஹThepurposeofthecampaignistocallonkids.A.toloveanimalsB.toplayoutdoorsC.togiveupscreensD.toprotectnature2ஹWhatmaymakeAndySimpsonsad?A.Kids'disabilitytonamesomecreatures.B.ThefallingdurationofRids'vacations.C.Strictrulesonkids'outdooractivities.D.Thedisappearanceofcommonspecies.3ஹWhatdocsthenetworkappealtothegovernmenttodo?A.Reconnectkidswithnature.B.Providekidswithmoremud.C.Takemeasurestoprotectkids.D.Payattentiontoeyeprotection.4ஹWhydoestheauthormentiontheBBCTVseries?A.TotellthedevelopmentofBBCTVseries.B.Toprovetherecognitionofhissuggestion.C.ToshowtheTVseriescausedconfusion.D.TocomparepresentTVserieswitholdones.ூ&'(ᫀ1ஹB2ஹA3ஹA4ஹB
1224-27-6ூ9:NVhatdoyourememberaboutyourchildhood?Ihavegoodmemoriesofexploringk¬_7thefieldsnearmyhouseandridingmybikearoundthepark.Today,childrendon'tspendenoughtimeinthefreshair.Manyofthemfixtheireyesonascreeneitheronacomputer,oraTV-theyseemtobelivinginavirtualworld.Theyhavelosttouchwithnature.Now400organizationsintheUKareencouragingchildrentohavesome“wildlime”.Theywantkidstoexchangeatleast30minutesofwatchingTVorplayingcomputergamesfortimeplayingoutside.Thesimplepleasuresofexploringanddiscoveringnaturehelpchildrentolearnandkeepfittoo.AndySimpson,whoispartofthecampaign6®£¤7says:"Anextra30minutesofwildtimeeverydayfbrallunder12-year-oldsintheUKwouldbetheequivalentk¯7ofjustthreemonthsoftheirchildhoodspentoutdoors."Evenifthekidsliveinacity,theycangoonadventuresinthegardenorthepark.However,childrenoftenneedahelpinghandfromMumandDad.Theyneedtobeshownwhattodoandwheretogo.Sodespitek°±7thecomplexk²ᩖḄ7worldthatyoungpeoplegrowupinnow,itseemsthatgoingbacktobasicsandexperiencing“nature'splayground“iswhatmodernchildrenneed.AndySimpsonadds:"Wcwantparentstosecwhatthismagical“playground”doesfbrtheirkids'development,independenceandcreativityk´U⌼¶7bygivingwildtimeago”.DavidBondfromProjectWildThingsays,“Weneedtomakemorespacefbrwildtimeinchildren'sdailyroutine,freeingthisgenerationofkidstohavethesortofexperiencesthatmanyofustookfbrgranted.”1ஹWhatdoestheauthorthinkaboutthepresentkids?A.Thcydependontheirparentstoomuch.B.They'reeagertoplaywiththeirparents.C.Theyspendtoomuchtimeplayingoutside.D.Thcydon'tgetclosetonature.2ஹInthefirstparagraph,theunderlinedword“virtual“probablyrefersto.A.magicalB.perfectC.unrealD.wonderful3^WhatsuggestiondoesDavidBondgiveus?A.Preventkidsfromplayingcomputergames.B.Hclpchildrenmasterbasicskills.C.Teachkidshowtofacedifficulties.D.Letchildrenhavemorewildtime.4ஹWhatdoweknowabouttheauthor?A.Hedislikedhischildhoodfullofstudyandexams.B.Hehadahappychildhoodbyexploringtheoutdoors.C.Heoftenwenttoschoolbyridingonabicycle.D.HeshowedagreatinterestinwatchingTV.ூ&'(ᫀIஹD2ஹC3ஹD4ஹBூ;ᔁ28-30⚪>?ᜧ@,EFᦻGHIJᱥLMᜧ@NOᳮ-
13Ifyouevergetiheimpressionthatyourdogcan“tell"whetheryoulookcontentorannoyed,youmaybeontosomething.Dogsmayindeedbeabletodistinguishbetweenhappyandangryhumanfaces,accordingtoanewstudy.Researcherstrainedagroupof11dogstodistinguishbetweenimagesk·¸7ofthesamepersonmakingeitherahappyoranangryface.Duringthetrainingstage,eachdogwasshownonlytheupperhalforthelowerhalfofthepersonஹface.Theresearchersthentestedthedogs'abilitytodistinguishbetweenhumanfacialexpressionsbyshowingthemtheotherhalfoftheperson'sfaceorimagestotallydifferentfromtheonesusedintraining.Theresearchersfoundthatthedogswereabletopicktheangryorhappyfacebytouchingapictureofitwiththeirnosesmoreoftenthanonewouldexpectbyrandomchance.Thestudyshowedtheanimalshadfiguredouthowtoapplywhattheylearnedaboulhumanfacesduringtrainingtonewfacesinthetestingstage."Wecanruleoutthatthedogssimplydistinguishbetweenthepicturesbasedonasimplecue,suchasthesightofteeth,MsaidstudyauthorCorsinMtiller."Instead,ourresultssuggestthatthesuccessfuldogsrealizedthatasmilingmouthmeansthesametilingassmilingeyes,andthesameruleappliestoanangrymouthhavingthesamemeaningasangryeyes.”“Withourstudy,wethinkwecannowconfidentlyconcludethatatleastsomedogscandistinguishhumanfacialexpressions,rMullertoldLiveScience.Atthispoint,itisnotclearwhydogsseemtobeequippedwiththeabilitytorecognizedifferentfacialexpressionsinhumans.°Tous,themostlikelyexplanationappearstobethatthebasisliesintheirlivingwithhumans,whichgivesthemalolofexposuretohumanfacialexpressions,nandthisexposurehasprovidedthemwithmanychancestolearntodistinguishbetweenthem,Miillersaid.28.Thenewstudyfocusedonwhetherdogscan______.A.distinguishshapesB.makesenseofhumanfacesC.feelhappyorangryD.communicatewitheachother2W9.atcanwelearnahoulthestudyfromparagraph2?A.民Researcherstestedthedogsinrandomorder.CDiversemethodswereadoptedduringtraining.Picturesusedinthetwostagesweredifferent.D.Thedogswerephotographedbeforethetest.30.Whatisthelastparagraphmainlyabout?A.Asuggestionforfuturestudies.B.Apossiblereasonforthestudyfindings.C.Amajorlimitationofthestudy.D.Anexplanationoftheresearchmethod.ூ&'(ᫀ28ஹB29ஹB30ஹBூ,⚪-᪆ூ᪆•ூᑖ᪆s(ÀÁÂᦻ⚗ẆÄÅÂÆÇÈÉÊËḄ☢g⊤ÎÏ=ÐÑÒÓ2"xÔÕᨵs§Ç¶9ÇḄ×Ø(2"A6?}Ëᐳq£•ூ28⚪⁚ᳮ⚪᪷FḄ"Researcherstrainedagroupof11dogstodistinguishbetweenimagesofthesamepersonmakingeitherahappyoranangryface.kẆÄᕒ|B11ÛÆᩭÜᑖῊbḄ⊤Î(ÞᐶÐ(7“9:âãẆÄḄᐵåæ(Æ(ᔲÇÈÜᑖḄ☢g⊤Îᦑ⌱Bூ29⚪⁚ᳮ⚪᪷FḄ“Duringthetrainingstage,eachdogwasshownonlytheupperhalforthelowerhalfoftheperson'sface.Theresearchersthentestedthedogs'abilitytodistinguishbetweenhumanfacialexpressionsbyshowingthemtheotherhalfoftheperson'sfaceorimagestotallydifferentfromtheonesusedintraining.kᙠ|▤éÛÆÛ3ᑮῊḄbêgᑖᡈjêgᑖẆÄᕒì%_íBÆîÊË☢g⊤ÎḄǶᔣÆðñBḄòê☢gᡈ}óᵨḄõᐰÑḄ·¸7“9:ᙠ÷_í▤Æ3Ḅ᯿ᱏ(Ñ᪵Ḅᦑ⌱C-ூ30⚪
14etᜧw⚪᪷ᨬ%Ḅ““Tous,themostlikelyexplanationappearstobethatthebasisliesintheirlivingwithhumans,whichgivesthemalotofexposuretohumanfacialexpressions,andthisexposurehasprovidedthemwithmanychancestolearntodistinguishbetweenthem“Mullersaid. MullerÁû“üᡃ"ᩭÁ,ᨬ9ÇḄrþÿ ᙠᨵḄ☢⊤!"#ᑖ&'ᨬ)*+⌕-.!/0123☢⊤Ḅ&045ᦑ⌱B••------------------------------3456-------------------------------•28-30-1ூ/ẠHorsemenwillalwaystellyouthathorsessenseemotions9:,especiallyfear.Nowanewsmallstudysaysnotonlycanhorsessensehumanemotions,theycanalsoreadhumanexpressionsandrememberthemforlater.ResearchersattheuniversitiesintheUKheldexperimentsinwhichhorseswereshownlargephotosofeitheranangryorahappyperson.Severalhourslater,thehorsesmetthatmaninpersonbutwithnoexpression.However,thehorsesreactedbasedonhowtheysawthemaninthephoto,turningtheirlookinacertaindirection.Whenhorsessawthepersontheyhadseenwearinganangrylookinthephoto»theyspentmoretimelookingwiththelefteye.Theyalsoshowedsignsofanxiety9ᯖ£=>.Butwhenthehorsessawthepersontheyhadseensmilinginthephoto,theyspentmoretimelookingwiththerighteye.“Whatwe'vefoundisthathorsescannotonlyreadhumanfacialexpressions,buttheycanalsorememberaperson*sprevious9ᐜAḄ>emotionalstatewhentheymeetthemlaterthatday,and,importantly,thattheychangetheirbehavioraccordingly,"ProfessorKarenMcCombfromtheUniversityofSussexsaidinastatement.Thehorsesseemedtohavemadeaquickjudgmentonthepersonbasedonlyontheexpressioninthephoto.Theresearchersbelievehavingthisabilityhelpshorseswithsocialbondingandavoidpossibledangers.“Itisquiteanamazingresultreally/'McCombtoldTheGuardian.44Itisreallyinterestingthatanimalsarcpickinguponthedetailedemotionalexpressionsthathumansareshowingonamoment—to-momentbasis.Importantlyintakingthatinformationin,theydon'tforgetit,buttheyuseit—theyhaveamemoryfortheemotionalstatesthattheyhaveseeninhumansandtheyusethatinformation.”1>Whatcanbelearnedabouttheexperiment?A.Horseslookedatpreviouslyhappypeoplewiththerighteye.B.Horsesrefusedtoseepeoplewithnoexpression.C.Horsesshowedcuriosityaboutunhappyexpressions.D.Horsespreferredtoseethephotosofhappypeople.2^Howcanhorsesbenefitfromtheabilitymentionedinthetext?A.Theycanrunmuchfaster.B.Theycanbetterprotectthemselves.C.Theycanhaveasmarterbrain.D.Theycanbetterexpressthemselves.3ஹWhatdoestheunderlinedword"it"inthelastparagraphreferto?A.Theinformation.B.Theability.C.Themoment.D.Theresult.4ஹWhatismainlytalkedaboutinthepassage?A.Horseshaveatalentforjudgingphotos.B.Horseshavethesameemotionsjustashumanbeings.C.Horsescanreadhumanexpressionsandlearnfromthem.
15D.Horsescanrememberandreacttopeople'spreviouslook.ூᫀ1ஹA2ஹB3ஹA4ஹD28-30-2ூᓣIfyouevergettheimpressionthatyourdogcan"tell"whetheryoulookdelightedorannoyed,youmaybeontosomething.Dogsmayindeedbeabletodistinguishbetweenhappyandangryhumanfaces,accordingtoanewstudyResearcherstrainedagroupof11dogstodistinguishbetweenimages ofthesamepersonmakingeitherahappyoranangryface.Duringthetrainingstage,eachdogwasshownonlytheupperhalforthelowerhalfoftheperson'sface.Theresearchersthentestedthedogs'abilitytodistinguishbetweenhumanfacialexpressionsbyshowingthemtheotherhalfoftheperson'sfaceonimagestotallydifferentfromtheonesusedintraining.Theresearchersfoundthatthedogswereabletopicktheangryorhappyfacebytouchingapictureofitwiththeirnosesmoreoftenthanonewouldexpectbyrandomchance.Thestudyshowedtheanimalshadfiguredouthowtoapplywhattheylearnedabouthumanfacesduringtrainingtonewfacesinthetestingstage."Wecanruleoutthatthedogssimplydistinguishbetweenthepicturesbasedonasimplecue,suchasthesightofteeth,"saidstudyauthorCorsinMuller."Instead,ourresultssuggestthatthesuccessfuldogsrealizedthatasmilingmouthmeansthesamethingassmilingeyes,andthesameruleappliestoanangrymouthhavingthesamemeaningasangryeyes.""Withourstudy,wethinkwecannowconfidentlyconcludethatatleastsomedogscandistinguishhumanfacialexpressions,"MullertoldLiveScience.Atthispoint,itisnotclearwhydogsseemtobeequippedwiththeabilitytorecognizedifferentfacialexpressionsinhumans."Tous,themostlikelyexplanationappearstobethatthebasisliesintheirlivingwithhumans,whichgivesthemalotofexposuretohumanfacialexpressionsandthisexposurehasprovidedthemwithmanychancestolearntodistinguishbetweenthem."Mullersaid.1ஹThenewstudyfocusedonwhetherdogscan.A.distinguishshapesB.makesenseofhumanfacesC.feelhappyorangryD.communicatewitheachother2ஹWhatcanwelearnaboutthestudyfromparagraph2?A.Researcherstestedthedogsinrandomorder.B.Diversemethodswereadoptedduringtraining.C.PicturesusedinthetwostagesweredifferentD.Thcdogswerephotographedbeforethelest.3ஹWhatisthelastparagraphmainlyabout?A.Asuggestionforfuturestudies.B.Apossiblereasonforthestudyfindings.C.AmajorlimitationofthestudyD.Anexplanationoftheresearchmethod.4ஹInwhichsectionisthetextmostlikelytobefoundinanewspaper?A.EntertainmentB.EconomyC.ScienceD.Natureூᫀ1ஹB2ஹC3ஹB4ஹC28-30-3ூThelastknowneggsoftheGreatBustard weretakenin1832,andthebirdwasnearlyextinctbytheendofthe19thcentury,avictimofhunters.In2004,theendangeredspecieswasreintroducedtoSalisburyPlain,withtheaimofestablishingaself-sustainingpopulationhere.
16TheGreatBustardGroup(GBG),thecharitybehindtherelease,wassetupin1997andithasnowbeen16yearssincetheinitial10"yeartrialbegan.Long-termvolunteersFredandRonaAndrewshavebeeninvolvedfromthestartand,workingaspartofateam,havehelpedraiseover200chicksfromeggssourcedabroad.“Forthefirstweekthechickneedstohavefoodplacedinitsbill,soweuseafeedingpuppettoimitatethebehavioroftheparent,“explainsFred."Itisquitehardwhenthebustardsareyoungbecausetheyneedfeedingeveryhourandittakesalongtimetofeedone.”GreatBustardsreachmaturityataboutfiveyearsold."SeeingthefirstwildbredchickoutonSalisburyPlainin2009,shortlyafterithatched,wasaproudmomentfbrme,“saysRona.Onaverage,12chicksarereleasedeachyearontoSalisburyPlainandin2018thesurvivalratewas100percent.“Theaimhasbeentoreachapopulationof100birds,“saysGBGexecutiveofficerDavidWaters.4tNowwehavethatnumber,andwearehopingthepopulationwillcontinuetogrowbynaturalreproduction.^^“Beinginvolvedwiththeworld'sheaviestbirdalivetodaythatcanflyhasgivenusbothagreaterknowledgeofbirds,conservationandfarmingMstatesRona."Wearecontributingtoanimportantconservationprojectthatalsobenefitsotherspecies.”)1ஹWhydidtheGBGreintroduceGreatBustardstoSalisburyPlain?A.Totesttheirchanceofsurvival.B.Toincreasespeciesdiversitythere.C.Tohelpsavethethreatenedspecies.D.Tohelpthelocalbustardsraisechicks.2ஹWhatdoesFredsayaboutfeedingtheyoungbustards?A.Itisdangerous.B.Itisdemanding.C.Itisinteresting.D.Itisfairlycostly.3ஹWhatdoesDavidWatersexpectofGreatBustards?A.Theywillsurviveontheirown.B.Theywillreachapopulationof100.C.Theywillhatch12chickseachyear.D.Theywillliveinpeacewithotherspecies.ூ&'(ᫀIஹc2ஹB3ஹA28-30-4ூ9:[fyouhaveevertriedtocatcharestingbutterfly,youknowitissurprisinglydifficult.AnewstudyhelpsexplainPreviousresearchhadsuggestedthatabutterfly^overheadwingclapforcestheinsectforward.Researchersthoughtthewingclaplikelyformedapocketofairthatshootsoutlikeajet.Butnoonehadtestedthatuntilnow.Toanalyzetheirflight,theyplacedsixbutterfliesoneatatimeinsideawindtunnelwhichwasfilledwithsmokeandthenusedalasertolightupthesmokejustbehindthebutterfly.Fourhigh-speedcameraswereplacedinthetunneltotakephotosofthemovementofthebutterflyandthesmokeasthebutterflywastakingoff.Thislettheresearcherscreatea3Dpictureofthatairmovementastheinsectflappeditswings.Theyanalyzedatotalof25takeoffsbysixbutterflies.Eachincludeduptothreewingbeatsaftertakeoff.Thebutterfliesprovedmorelikelytoclaptheirwingstogetherduringthefirstfewwingbeatsthanlaterinflight.Thephotosshowthatforcescreatedbythewingsgiverisetoaflightpath.Thebutterfliesriseastheirwingsmovedownandshootforwardastheirwingsmoveup.Awingclapontakeoff,pairedwithaquickturn,allowedthebutterfliestoflyawayquickly.Theyalsonoticedthewingsformedanairpocketjustbeforeclappingandthatthewings'flexibilityandthispocketimprovedthejetforcecreatedby
17theclap.“Thestudyisexalting,^^saysAyodejiBode-Oke,amechanicalengineerinCharlottesville.Thatmeans“wehavesolvedthelongtimepuzzleabouthowbutterfliesfly,anditprovesnothingisimpossibleontheroadofscientificresearch.Ican'twaittolearnabouthowthestudymightinformdesignsforsmallflyingvehicles.”1ஹWhywaslaserusedintheexperiment?A.TofrightenthebutterfliesintoHying.B.Tohelpresearchersobservethebutterflies.C.Tohelptakeclearphotosofairmovement.D.Toguidethebutterfliesthroughthesmoke.2ஹWhatisthefindingoftheresearchaccordingtoparagraph5?A.Butterfliesflyforwardaswingsmovedown.B.Anairpocketformsafterbutterfliesclapwings.C.Butterfliesbeatwingsthreetimesbeforetakingoff.D.Upwardwingmovementshelpbutterfliesflyforward.3ஹWhatdoestheunderlinedword"exalting"inthelastparagraphprobablymean?A.Puzzling.B.Exciting.C.Simple.D.Impossible.4ஹWhatcanbethebesttitleforthetext?A.WhyCanButterfliesFlyLikeaJet?B.HowCanButterfliesMakeWingClaps?C.HowCanButterfliesMakeQuickTurns?D.WhyCanButterfliesRunAwayQuickly?ூ&'(ᫀIஹC2ஹD3ஹB4ஹD28-30-5ூ9:'Whydobirdssing?,,Iaskagroupofchildren."Toattractmetes9DᏔ>!"answeredaboy.A4-year-oldgirladdedshyly,*'Birdssingbecausetheyarehappy,andtheywanttomakeushappy,too."Ithinkbothanswersareprobablytrueinaway.Ifbirdssinghappily,itshowsalliswellintheforest:nopredators9ᣓGὅ>arepresent,andthebirdscanfeed,singanddootherbirdthings.Thesoundofarelaxedrobinsingingiseasytounderstandbecauseitmakeusfeelthiswaytoo-it'sasoundthatliftsourownheartswhenwehearit.Whathappenswhenapredatorcomesintotheirareas?Thenearbybirdsquicklygiveanalarm9IJ>call,ashortsoundthatwarms,"Dangeriscoming!nOnhearingthesound,theotherbirdsstopsingingandflyfbrcover,thedeerlifttheirheadsandstopmovingandtherabbitsrunintothebushes.Suddenly,theforestbecomessilent.Whenhumanswalkthroughthewoodsinahurryorwhilewalkingwithafriend,wedon'tseemuchwildlife.Wemaythinkthataren'tmanyanimalslivingthere,butmorelikely,theyknowwearecomingandhideminutesbeforeourarrival.Butifwelearntoavoidsettingoffalarms,wecanseemanymorewildanimalswithoutfrighteningthem.Topractice,findaplaceinaparkandsitquietlyfbranhour.Takenotesasthebirdsbegintorelaxandsingagain.WhenIdothis,Iamalwayssurprisedatthewonderfulthinganimalswilldowhenhumanssimplystaystilllongenough.1ஹInthewriter'sopinion,thechildren'sanswerstohisquestionare.A.funnyB.reasonableC.honestD.important2ஹHearingabird'salarmcall,adeerwill.A.runquicklyintothebushesB.standstillwithitsheadupC.liedownonthegroundatonceD.actasifnothinghashappened3ஹAccordingtotheauthor,whycan'tweseemuchwildlifeinthewoods?A.Becausewecomeatthewrongtime.B.Becausewefailtogivewarnings.C.Becausewehavesetoffalarms.0.Becausefewanimalslivethere.
184ஹThepurposeoflastparagraphisto.A.advisepeopletoenjoythesongsofbirdsB.askpeopletolearnsomethingaboutbirdsC.tellpeoplehowtoprotectbirdsinwildD.showpeoplehowandwhenbirdssing5ஹWhatisthetextmainlyabout?A.Thelifeofthebirds.B.Birdsintheforest.C.Howbirdssingintheforest.D.Themessagesinbird'ssinging.ூᫀ1ஹB2ஹB3ஹC4ஹA5ஹD28-30-6ூᓣThenumberofgiraffesisbecomingsmalleracrossAfrica,accordingtotheGiraffeConservationFoundation.Thetotalpopulationhasdroppedby40percentinthelast15years.Peoplecarelittleaboutit.Surprisingly,evenscientistshaven'tgivenmuchattentiontogiraffes."Wearelearningmoreabouttheirecology,butwhatweknowisstillwaybehindwhatweknowaboutotherspecies.It'sasilentextinction9KLMN>saidDr.JulianHennessy,awildlifescientist."Themainreasonfbrthesmallernumberofgiraffesistheirlossoflivingplaces,"saidHennessy,Hasanincreasingpartoflandisusedforfarming.Buthuntingalsohasabiginfluence."Youmightwonderwhyhunterslikegiraffes.Firstofall,onceagiraffeisbroughtdown,thereislotsofmeatwithasmallamountofeffort.Besides,thereisanotherthingencouragingthehunting.InTanzania,Hennessysays,thelatestwordonthestreetisthateatinggiraffemeatcouldcureAIDS.Freshgiraffeheadsandbonescanbesoldatpricesofupto$140perpiece.Anotherwidespreadmisconceplionaboutgiraffesisthattheyareeverywhere.Lookatkids'bookswhicharefullofgiraffes.Theyarealwaysinzoocollections.Theycanbeseeneasily,soyoudon'tthinkwehavetoworryaboutthem.Butthetruthisthattheyareindangerofextinction.Thereisalackofrightandtruedata.Hennessyandotherresearchersarenowpullingtogetherthedataneededtoimprovethesituationoftheentiregiraffespecies.Hehopesthattheworldwillfinallystarttorealizehowendangeredthesebelovedanimalshavebecome.1ItcanbeinferredfromthefirstParagraphthat.A.giraffesareunpopularinAfricaB.thegiraffeisalwayssilentindailylifeC.Scienlistdon'twanttolearntheecologyofAfrica.D.theextinctionoccurswithoutenoughattention2ஹWhathascausedthehighpriceofgiraffemeatinTanzania?A.Thecountry'scustom.B.Theillegalinternationaltrade.C.Thefunofhuntingagiraffe.D.Thcideathatit'sacureforAIDS.3ஹTheunderlinedword"misconception1'inPara.3isclosestinmeaningto.A.ProtectionB.expressionC.misunderstandingD.impression4^ThefinalpurposeofHennessy'sgreateffortisto.A.collectmoreinformationaboutgiraffesB.raisepublicawarenessofprotectinggiraffesC.provegiraffewilldisappearinthenextfewyearsD.workwiththeInternationalUnionforConservationofNatureூᫀIஹD2ஹD3ஹC4ஹB
19ூ;ᔁ31-35⚪EFᦻQRHST᪷PQᦻᑁTUQᦻ)Ḅ⌱⚗W⌱X0Yᐭ[\ᜐḄᨬ^⌱⚗⌱⚗Wᨵ_⚗`⌱⚗You'vegotmail--andifsapostcardPauloMagalhaes,a34-year-oldPortuguesecomputerengineer,lovestoopenhismailboxandfindabrightlycoloredpictureofRome'sColosseum.OrAfrica'sVictoriaFalls.OrChina'sGreatWall.31“Ioftensendpostcardstofamilyandfriends,MhesaystoChinaDaily,“butyoucanimaginethatafterawhile,youneverreceiveasmanyasyousend,andyourealizethatnoteveryoneisintoit.32Seekingotherlike-mindedsouls,however,Paulostartedlookinginasomewhatunlikelyplaceaonline.ManywouldsaytheInternetisaplaceforpeoplewhohavegivenuponthetraditionalpostalservice,butPaulo'shunch bcpaidoff.Todayhishobbyhasdevelopedintothewebsitepostcrossing,com,asocialnetworkthathasgrownto575,217registeredusersin214countriesandregionssincehestartedit10yearsago.33Runningthewebsitehasalmostturnedintoafull-timejob.Languageiscertainlyabarrierformanypeople.Forpostcrossingtoworkworldwide,acommoncommunicationlanguageisneededsothateveryonecanunderstandeachother.AscoolasitmaybetoreceiveapostcardwritteninChinese,theconceptdoesn'tworkifonedoesn'tunderstandit.34Soacommonlanguageisrequiredandinpostcrossingthat'sEnglishsinceit'swidelyspoken.wManypeopleinChinahavelimitedexposuretoEnglish.35Thatsaid,weknowofmanypostcrossingmembers,includingChinese,whohaveactuallyimprovedtheirEnglishskillsthroughtheiruseofpostcrossing,**Paulosays.A.Andthafstotallyfine.B.Thatmakesitextrahardtolearnandpracticeit.C.Helikestothinkofsendingpostcardsasafamily-friendlyhobby.D.Manylovetomakeaconnectionwithsomeonefromacrosstheworld.E.OnAugust5,thenumberofpostcardsexchangedbymemberstopped31million.F.Similarly,ifyouspeakonlyChinese,receivingacardinSwedishlakespartofthefunaway.G.Inshort,helovespostcards,andtheexcitementofgettingahand-writtennotefromsomeonefaraway.ூefgᫀ31ஹG32ஹA33ஹE34ஹF35ஹBூj⚪l᪆ூl᪆•ூᑖ᪆nᦻ opqᦻ+⌕rs!PauloMagalhacstupostcrossing.comḄvwxᐸz{PauloMagalhaes|}~qᱏ ᨵᢗḄ U⍝ᔠḄ5t!postcrossing.comḼᙠᐰᳫᜧᡂ¢£Ḅ+⌕¤¥)ᩭ§¨⌱ᐳª«ᜧ¬®•[31⚪¯lᦻ“PauloMagalhaes,a34-year-oldPortuguesecomputerengineer,lovestoopenhismailboxandfindabrightlycoloredimageofRome'sColosseum.OrAfrica*sVictoriaFalls.OrChina*sGreatWalL 34°Ḅℍ⃔ᱛᵯᾯ¶w·PauloMagalhaes~ᡭḄ¹ºᯠ)¼z½⁐¿À⁑ḄÂÃᧅÅÆÇÈᡈὅ|ÊḄËᑭÍ᭣Ïᡈὅ WÐḄÑÒ>”rs!Paulo~qᱏḄ½᰿ÕÖᦻ”...andyourealizethatnoteveryoneisintoit.”pq×ØᢗḄ⌱⚗G"Inshort,helovespostcards,andtheexcitementofgettingascribblednotefromsomeonefaraway.9ÙÚ~qᱏÛ~ᦈᑮÞªßàḄ«ᩩãḄäᐶæ>”ᑮçèÖḄéᵨ=ë!ᦻPaulo~qᱏÛìXÖᦻᐵḄ~ÕîᑮïðḄñ⚪ᦑ⌱G⚗■ூ32⚪¯lᦻ“"Ioftensendpostcardstofamilyandfriends.MhesaystoChinaDaily,44butyoucanimaginethatafterawhile,youneverreceiveasmanyasyousend,andyourealizethatnoteveryoneisintoit9“ᡃõ}ö¬÷øùúq
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