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1、FREEmusiclessonsfromBerkleeCollegeofMusicBerkleePracticeMethodDrumSetGetYourBandTogetherRonSavage,CaseyScheuerell,andtheBerkleeFacultyChapterVIPlayingHardRockClickCDiconstolistentoCDtracksfrombook.PressESCtocancelsound.CheckoutBerkleeshares.comformorelessonsjustlikethi
2、sone.PLAYINGROCKPLAYINGHARDROCKCHAPTERVICHAPTER1“Don’tLookDown”isahardrocktune.Hardrockfirstappearedinthelate,,,1960s.Ithascharacteristicheavybass,long,drawn-outchords,andamplifiedinstruments.Tohearmorehardrock,listentoartistssuchasAerosmith,don’tMetallica,Powerman5000
3、,theAllmanBrothersBand,RobZombie,“Godsmack,311,StoneTemplePilots,BlackCrowes,SteveVai,andSmashingPumpkins.lookLESSON21TECHNIQUE/THEORYdo,,LISTEN23PLAYwnListento“Don’tLookDown,”andthenplayalongwiththerecording.Trytomatchthedrumpart.Thistunehastwoparts.LEARNINGTHEBEATTol
4、earnthebeat,followthesethreesteps:1.Startwiththehi-hat.2.Addthesnaredrum.3.Addthebassdrum.Thisisthebeattothefirstpart:Step1Step2Step3Hi-HatSnareDrumBassDrumThisisthebeattothesecondpart(alsotheintro):Step1Step2Step3Hi-HatSnareDrumBassDrumPlay“Don’tLookDown”alongwithther
5、ecording.Hookupwiththegroove.57RIDEHANDListentothecontinuouseighthnotes.Eachdownbeat(eighthnoteonthebeat)usesadownstroke,andeachupbeat(eighthnoteoffthebeat)usesanupstroke.Practiceplayingthebassdrumwithoutaffectingthefeeloftheridehand,especiallyinthesecondbeat.Keepthehi
6、-hatclosedduringthefirstpart.Duringthesecondpart,playitwiththefootonbeats2and4.PRACTICETIPVaryyourintensityonthehi-hatnotes.Developyoursenseofwhereonthesurfacetoplay,andhowopentokeepthecymbals.Thiswillhelpyoucreatedifferentlevelsof“wash.”SNAREHANDPlayasolidsnarebackbea
7、t.FOOTThebassdrumpartinthesecondbeatissyncopated,whichmakesittricky.Keepyourfootindependentofyourhands,sothatyoureighthnotesdon’tgetlouderwhentheycoincidewiththebassdrum.FLAMSAflamisanormalstrokecloselyprecededbyasofterstroke(gracenote).Onereasonthattheendingof“Don’tLo
8、okDown”soundssopowerfulisthatthedrummerisplayingflams.Flamsaretwoattacksplayedsocloselytogetherthattheysoundlikeonebi