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1、araug03andodone8/29/0312:27PMPage321PavilionsterminatetoeastwithY-shapedcolumnsupportingroofs’shadingprojections.Leftiscurveofcaféroof.FORTWORTHMODERNARTMUSEUM,TEXAS,USAARCHITECTTADAOANDOBOXINGWITHLIGHTTadaoAndo’snewmuseumatFortWorthbothlearnsfromKahn’sgreat32
2、8Kimbellandcopeswiththescaleand
3、natureofcontemporaryart.33
4、8araug03andodone8/29/0312:27PMPage34Buildingnexttoaninternationallyrecognizedmasterpieceisprovideintermediatespacesbetweengalleriesandthelakeandlawns.inevitablyadauntingtask,buttocreateabuildingofsimilartypetoTheothermajordifferencebetweenAndoandKahnisthatthegreatw
5、orkisachallengethatfewcanriseto.TadaoAndowonAndo(forallthesizeofhissite)founditnecessarytoputhisgalleriesthecompetitionfortheFortWorthModernArtMuseumin1997ontwolevels.Oneofthereasonsforthismustsurelybethe(ARFebruary1998).Itispartofthecity’sculturalcomplex,setinadifferenceinscalebetweenmuchco
6、ntemporaryworkandtheparkinalow-densitysuburbofthecity,justacrosstheroadfrompaintingsintheKimbell,whichcontainsafundamentallyprivateLouisKahn’sKimbellArtMuseum,oneofthegreatestgallerycollectionofworksofeaselanddomesticscale.FortWorth’sbuildingsofthelastcentury.Modernneededlargerspaces,someofd
7、oubleheight,toThebigsiteisflatandfeatureless,soAndohastransformeditbyaccommodatereallybigpieces.Andohasexploitedthedextroustreeplanting(partlytomaskthecarpark),wallsagainstthepossibilitiesofhistwolevelsofgallerieswithsuddensurprisingbusiestroads,lawnsandashallowpool,orratheryounglake,overjux
8、tapositionsofvolumeandscale,butthearrangementmeansthatwhichthecity’sdowntownmakesadramaticskyline.ButasAndolower,single-heightgalleriesmustinevitablyseemslightlysecondremarkedwhenhegotthecommission,evenifthesitewasdull‘theclassbecausetheycannotreceivedaylight.UpstairsgalleriesaretopKimbellis
9、amountain’.Ando’sstrategyfororganizingthenewlitasintheKimbell,eitherthroughdiffusingfabricceilings(suchasbuildingispartlybasedontheKimbell,withcalmparallelgallerytheoneoverthestairhall)orfromclerestories,whichprojectlightspaces,litasfaraspossibleby
