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1、ThecomparisonbetweenChinesepaintingandWesternpaintingBy:SamwellChinesepaintingChinesePainting(Xuanpaperpainting):referstopaintingspaintedonXuanpaperorsilkbyinkandcolor,itisthemainformofChineseart.Withoutdeterminativenameintheancienttime,Chinesepaintingwascommonlycalledas“Dan
2、qing”,mainlyreferstothepaintingsonsilkandXuanpaperwhichmountedonscroll.AsopposedtoWesternstylesofart,workspaintedintraditionalstyleiscalledasChinesepainting,meaning“nationalpainting."中国画(宣画):即用颜料在宣纸、宣绢上的绘画,是中华民族艺术的主要形式。国画在古代无确定名称,一般称之为丹青,主要指的是画在绢、宣纸、帛上并加以装裱的卷轴画。近现代以来为区别于西方的油
3、画(又称西洋画)等外国绘画而称之为中国画,简称“国画”。ClassificationaccordingtosubjectmatterofChinesepainting中国画按题材划分(1)Figure人物(2)Landscape山水(3)Flowersandbirds花鸟ClassificationaccordingtothetechniqueofChinesepainting中国画按技法划分greatfreehandstyle大写意Xieyi(Freehandstyle)写意画slightfreehandstyle小写意Linedrawing
4、白描Gongbi(Fine-brush)工笔画Fine-brushwithHeavyColor工笔重彩Fine-brushwithLightColor工笔淡彩Bonelesspainting没骨画WesternpaintingInthemid-19thcentury,WesternpaintingwasprimarilyconcernedwithrepresentationalandClassicalmodesofproduction,afterwhichtimemoremodern,abstractandconceptualformsgain
5、edfavor.19世纪中叶,西洋画的作品风格主要侧重于具象的、古典的形式,在这之后,逐渐转向现代、抽象和概念性的风格。WesternpaintingWesternpaintingreacheditszenithinEuropeduringtheRenaissance,inconjunctionwiththerefinementofdrawing,useofperspective(透视),ambitiousarchitecture,tapestry,stainedglass,sculpture,andtheperiodbeforeandafte
6、rtheadventoftheprintingpress.在文艺复兴时期,随着绘画的提高、透视技巧的运用、宏伟建筑物的出现、挂毯、彩色玻璃、雕塑以及印刷机的问世,西洋画达到了它在欧洲的巅峰PaintingstyleChinesepaintingemphasizes'empty'and'no',performsfor'virtual',inotherwords,itcentersonheart.强调“空无”,表现为虚,换句话说就是唯心主义advocatesfreehandbrushwork,pursuitslikeness提倡写意,追求神似Wes
7、ternpaintingstresses“does”and“has”,performsfor“real”,pursuitsresemble,incontrary,itcentersonentity.讲究“确”“有”表现为“实”追求形似,也就是唯物主义宋/崔白/双喜图宋/苏汉臣/设色画《筛麦妇》1854年GustaveCourbet居斯塔夫·库尔贝(法国)PaintingtoolsChinesepaintingFourtreasuresofcalligraphyandpainting文房四宝Brush/ChineseinkXuanpaper/In
8、kstone笔墨纸砚WesternpaintingWesternpaintingtoolsarediverse,includingpens,oilco