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1、KATIEMACDONALDCORNELLUNIVERSITY
2、BARCH2013PORTFOLIOKATIEMACDONALDCORNELLUNIVERSITY
3、BARCH2013213.400.1924kbm55@cornell.edu445E.69thSt.,#832,NewYork,NY10021www.katie-macdonald.comCOUNTER-NARRATIVELIBRARY01-04PATCHWORKMEMORIAL05-08HIDEAWAYDWELLING09-12BRIDGEFIREHOUSE13-16LIBRARYOFPOSSIBLEDEATHSCEM
4、ETERY17-18POINTGRIDINSTALLATION19-20WAVEFURNITURE21-22NEWANGELESCITY25-26JAPANPAVILION//SYDNEYOPERAHOUSEMODELS27-28STRANGERPHOTOGRAPHY29-308wk7wk6wk5wk4wk3wk2wk1wk0wkCONCEPTPROGRAMLIBRARYCOUNTER-NARRATIVEisalibrarycomplexderivedfromthenumerologyandnarrativestructureofDanteAlighieri’sDivinaComm
5、ediaintoavolumeofthreeintegratedcubes,eachexperiencedasadifferentcantica:Inferno,Purgatorio,andParadiso.Thethreecubesintersectalonga45°degreecirculationaxis.Twoopposingstaircasesrunalongasideeachother,directingvisitorsupwardsontwodistinctpaths.OnestaircasepassesInferno,ascendsthroughPurgatorio
6、,andculminatesinParadiso;theotherdepartsfromthecourtyardofAnte-Inferno,leadsthroughInferno,andwindsbacktoPurgatorio.Thus,thenarrativeofthepoemcanbeexperiencedaswritten—followingDante’spathfromInfernotoPurgatoriotoParadiso—orfromasecondperspective—thatofthepoetVirgil,whotraveledfromAnte-Inferno
7、toInfernoandthenthroughPurgatorioasDante’sguide.ProfessorM.KavalirekFall201101ConceptDiagrams//SitePlan02Section//Ante-InfernoCourtyardWatercolor//ParadisoStacksWatercolor03Axonometric0//Axonometric1ante-infernoinfernopurgatorioparadiso04Axonometric2MEMORIALPATCHWORKistheresultofaAboveground,t
8、hefieldbecomesaweeklonggroupexercisetocreateanentrycommemorativeareaintendedtobothfortheNewYorkCityAIDSMemorialParkcelebratethelivesofthoselostandprovideaCompetition.spacewherethelocalcommunitycancometogether.BecauseAIDSischaracterizedbytheunnervingabilitytoaffectunsuspectingpeopleBelowgrade,t
9、hedistortionsindensity,size,acrossallspectrumsoflife,apatchworkofandpositionoftheaperturesdefinespacesforindividualshaveunifiedinafightagainsttheexhibition,education,andquietcontemplation.epidemic.ForNewYorkCity,St.Vincent’sThecentralsp
