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1、夏超20121350041Definition&KindsK-pop(anabbreviationofKoreanpop;)isamusicalgenreoriginatinginSouthKoreathatischaracterizedbyawidevarietyofaudiovisualelements.Althoughitcomprisesallgenresof"popularmusic"withinSouthKorea,thetermismoreoftenusedinanarrowersenseto
2、describeamodernformofSouthKoreanpopmusiccoveringmostlydance-pop,popballad,electronic,rock,hip-hop,R&B,etc.History徐太志和孩子们SeoTaiJi&Boys(1991)金建模(1992)DEUX(金城宰李贤道1993)Turbo(赵明翼金钟国1995）H.O.T(1996)水晶男孩(1997)S.E.S(1997)SHINHWA (1998)GOD(1999)SolosingersLimitedco
3、mbinationCharacteristicsHybridandtransnationalvaluesAccordingtoaRollingStoneauthor,K-Popis"amixtureoftrendyWesternmusicandhigh-energyJ-Pop,whichpreysonlisteners'headswithrepeatedhooks,sometimesinEnglish.Itembracesgenrefusionwithbothsingingandrap,andemphasi
4、zesperformanceandstrongvisuals".Itisamixofgenreslikepop,rock,hiphop,R&Bandelectronicmusic.K-popcanbedescribedasaglobalizedmusic;asitisamixtureofWesternandEuropeansoundswithanAsianflavorofperformance.ThewaytheseKoreansingersperformtheirsongswithsynchronized
5、dancemovesandcomplexgestureshasincreasedthepopularityofK-pop.ItnowtakesabigplaceinthemusicmarketthroughoutAsiaandtheworld.AsaChineseKpopfandescribeit:"KoreanpopcultureskillfullyblendsWesternandAsianvaluestocreateitsown,andthecountryitselfisviewedasapromine
6、ntmodeltofolloworcatchup,bothculturallyandeconomically".Inthisarticle,theauthorDooboShimaddthatevenifculturalproximityplaysabigroleinthepopularityofKpopinAsia,thatisnotenough.Forhim,thisisthat'visionofmodernization'inherenttotheKoreanpopculturethatplaysapa
7、rtinmakingitacceptable.AlsoaccordingtoEun-YoungJung,Kpoptransnationalandhybridvaluesareresponsibleofitssuccess.Nevertheless,eventhoughthoseconceptsarestilldebated,hearguesthatvaluesinKpoparenotonlywesternorKorean.Indeed,accordingtohowtransnationalityproces
8、sdeveloped,Kpopisn'tsimplysomeJapaneseandUSvaluesthathasbeenmixedtomatchamarketingprocess.TheculturalimperialismofJapaneseandUSsocietiesdeeplychangedtheKoreanpopularvalues,atmultiplelevelsandinverselytheriseo
