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1、TalkingaboutthesymbolsintheenvironmentoftheuseofArtandDesignAbstract:Theinheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Thisarticlehopesforthedesignofsymbolsusedtoexploretheculture,aboutthemysteriesofinheritanceandinnovationof
2、thetraceofsentiment.Keywords:deformationgrammarseparatistsymbolsconstituteInheritanceandinnovationovertheyearstherelationshipbetweenartanddesignenvironmenthasbeenthefocusofattention.Infact,fromthelinguisticpointofview,thiscontradictionisthelanguageofstabilityandvariationbetweenthecontr
3、adiction.Asadesignerintheformofdesignsuccessesandfailuresofthesuccessorfailuredependsonthemaster,"theterm"therichandtheuseof"grammar"ofproficiency.Designerstomaketheirworksbyotherscantrulyunderstand,wemustchoosetheappropriate"word"andmustcomplywiththe"grammar."Thisdoesnotmeanthatdesign
4、erscanonlyfollowthebeatentrack,nopersonalcontribution.Designersskillfullyusethenewindividualsymbols,oraconsciouschangeininter-symbolcombinationofanumberofconventionalrelations,createnewworksofmoving,whichisdesigninnovation.Compositionhasa"specific"componentapproach,thatseemstobeverypla
5、ininthecompositionofthesuddenappearanceofa"heterogeneous"elements,makingtheprogramitselfisveryplaintoachieveunexpectedresults,withasenseofinnovationofnewsymbolslikethis"heterogeneous."Inpeople'saccustomedtothingsdifficulttoarouseenoughattentionandinterestincase,somecommonsymbolsdeforma
6、tion,splitting,orthepreparationofthecodetochangetheorder,youcanplayacompelling,thought-provoking,thestrengtheningofenvironmentalmessaginglanguagerole.UnitedStatesrenownedarchitectCharlesMooredesignedthecityofOrleans,"ItalianPiazza"isboldindesignelementstakenfromavarietyofclassicalsymbo
7、ls,andsymbolicmeanstoreproducethem.TheentiresquaretoacircularplaneBaroqueforthecompositiontothegradualproliferationofblack-and-whiteconcentriccirclesandtothesurroundingpavementsurfacetoextendoutuntilthethreesidesofthestreetentrance.ClassicalRomancolumn,afteraface-lifttothefaceofnewsh
