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1、thecambridgehistoryofBRITISHTHEATRE*volume1Originsto1660Volume1ofTheCambridgeHistoryofBritishTheatrebeginsinRomanBritainandendswithCharlesII’srestorationtothethroneimminent.ThefouressaysinPartitreatpre-Elizabethantheatre,theeightinPartiifocusontherichesoftheElizabethanera,andtheseveninPartiiion
2、theatricaldevelopmentsduringandafterthereignsofJamesIandCharlesI.TheessaysarewrittenforthegeneralreaderbyleadingBritishandAmericanscholars,whocombineaninterestinthewrittendramawithanunderstandingofthematerialconditionsoftheevolvingprofessionaltheatrewhichthedramahelpedtosustain,oftenenoughagain
3、stformidableodds.Thevolumeunfoldsastoryofenterprise,innovationand,sometimes,ofdesperatesurvivaloveryearsinwhichtheatreanddramawerenecessarilyembroiledinthepoliticsofeverydaylife:avividsubjectvividlypresented.JaneMillingisLecturerinDramaattheUniversityofExeter.ShehaswrittenonRestorationperformer
4、sandfemaledrama-tists.Herworkinthemodernperiodincludesco-authorshipwithGrahamLeyofModernTheoriesofPerformance:FromStanislavskitoBoal(2001).PeterThomsonisEmeritusProfessorofDramaattheUniver-sityofExeter.HisbooksincludeShakespeare’sTheatre(1992),Brecht:MotherCourageandHerChildren(Cambridge,1997),
5、Shakespeare’sProfessionalCareer(Cambridge,1992,1999)andOnActorsandActing(2000).CambridgeHistoriesOnline©CambridgeUniversityPress,2008CambridgeHistoriesOnline©CambridgeUniversityPress,2008thecambridgehistoryofBRITISHTHEATREGeneralEditorPeterThomson,UniversityofExeterTheCambridgeHistoryofBritishT
6、heatreprovidesauniquelyauthor-itativeaccountoftheturbulentandoftentroublesomepubliclifeofperformanceinBritain.Whilstmakingfulluseofnewresearchinasubjectthatisatthecentreofcurrentconcern,theessaysaredesignedforthegeneralreaderaswellasforthespecialist.Eachvolumeisfullyillustrated.Together,theyoff
7、eracomprehensiveandcomprehensiblehistoryoftheatre,ofwhichplaysareapartbutbynomeansthewhole.TheCambridgeHistoryofBritishTheatre,Volume:OriginstoeditedbyjanemillingandpeterthomsonTheCambridgeHistoryofBritishTheatre,Volume: