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1、LUISBARRAGÁN:THEARCHITECTOFTHEMEXICANGARDENOFEDEN“Don’taskmeaboutthisbuildingorthatone,don’tlookatwhatIdo,seewhatIsee.”(LuisBarragán)ThisquoteemphasizestheimportanceofreferringtoBarragán’sculturalbackground.Hisbackgroundbecamehisinspiration,whichmovedBarragántocreatedesignsthataresomeo
2、fthebestexamplesofcontemporaryMexicanarchitecture.ThepresentthesisintendstocreateanawarenessoftheimportanceofpreservingBarragán’sworkbyprovidingimportantinformationaboutBarragán’slife,whathedid,wherehetraveled,whomhemet,andwhathisthoughtswere.FootprintsofaMan’sSoulForfifty-threeyearsof
3、hislife,LuisBarragánworkedasanarchitect.Duringtheseyears,hisdesignsdidnotfollowthesamestyle.BylookingatthephysicalelementsofBarragán’sworksandcorrelatingthemwithhisdesignprinciplesresultsinsomenoticeablesimilarities,acommonthreadofideasmanipulatedtoachievevaryingphysicalandaestheticres
4、ults.Barragán’sworkdividesintothreechronologicalperiods.Theseperiodsconsistofsimilarcharacteristicsthatdefineandgiveuniquephysicalcharacterineachperiod:1.Earlyperiod(1927-1935):TheworkthatBarragándevelopedinthisperiodismainlyinGuadalajaraCity,mostofwhichisresidentialandfallsunderaMedit
5、erraneanstyle.Unfortunately,verylittleinformationhasbeenrecordedonthisperiod,andtheexistingprojectsareintheprocessofbeinglostduetoneglectandthelackofprotectionandpreservation.TheCasaCristo,whichisthesubjectofstudyforthisthesis,belongstothisperiod.51.–ViewoftheSouthsideofthe2.–Mainstair
6、caseintheCasaCristoCasaCristo,wherethemain(takenfromColegiodeArquitectosentranceislocated(Buendía,1997).delEstadodeJaliscoarchives.)2.Rationalperiod(1935-1940):Asthenamesuggests,Barragán’sworkduringthisperiodfallsundertheprinciplesoftheInternationalStyleandtheteachingsofLeCorbusier.Att
7、histime,Barragánmainlyfocusedonarchitecturalproductionratherthanoncreatingarchitecturalpoetryashappenedintheothertwoperiods.Hisprojectswerebuildingsthatkeepperfectproportions,withacleandesignlineandpolished3.–HouseforJosefinaChávezPeóntextures,andthematerialsusedwerenolongerdeOchoa(S