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1、EversinceBaumgartenandWincke1mann,GermanyhasbeentheclassicallandofaestheticthoughtinEurope.Inthe20thcentury,Marxismitselfhasrepeatedtherule.NoothercountryhasproducedatraditionofmajoraestheticdebatetocomparewiththatwhichunfoldedinGermanculturefromthethirtiestothefifties.Thekeytextso
2、fthesegreatMarxistcontroversiesoverliteratureandartarenow,forthefirsttimeanywhereoutsideGermany,assembledinacoherentorder.Theydonotformaconventionalcollectionofseparatedocumentsbutacontinuousdebatebetweentheirdramatispersonae.Inexilebeforethewar,BlochandLukacspolemicizedagainsteach
3、otheroverthenatureofexpressionism.BrechtattackedLukacsforliteraryformalism.BenjamindisputedoverclassicalandmodemworksofartwithBrecht.AdornocriticizedBenjamin'shermeneutics,andchallengedBrecht'spoeticsandLukacs'spolitics.Themultilateralexchangeswhichresultedhaveavarietyandeloquencew
4、ithoutrivaLFredricJame�n,ProfessorofFrenchatYaleUniversityandauthorofMarxismandFormandThePrisonHouseofLanguage,sumsuptheirparadoxicallessonsforartandcriticismtoday,inanessayoftheoreticalconclusion.AestheticsandPoliticswillprovideapoleofreferenceandasourceofilluminationtostudentsofl
5、iteraturethroughouttheEnglish-speakingworld.vErnstBlochAestheticsandPoIiticsGeorgLukacsBertoltBrechtWalterBenjaminTheodorAdornoAfterwordbyFredricJameson/VersoTranslationEditor:RonaldTaylorContentsPresentationI9ErnstBlochDiscussingExpressionism16GeorgLuk:icsRealismintheBalance28Pres
6、entationII60ErnstBloch'DiscussingExpressionism',firstpublishedinDasWl)rt1938,theninErbschaftdieserZeit,Frankfurt1962,©SuhrkampVerlag;GeorgLukacs,'RealisminBertoltBrechtAgainstGeorgLukacs68theBalance',firstpublishedinDasWort1938,theninProblemedesRealismus,Neuwied1971,©Artisjus;Berto
7、ltBrecht,textsof'AgainstGeorgLukacs',firstpublishedinWalterBenjaminConversationswithBrecht86SchriftenzurKunstundLiteratur,Frankfurt1967,©StefanBrecht,1967.AllrightsreservedthroughSuhrkampVerlag;WalterBenjamin'ConversationswithBrecht',firstpublishedinVersuchefiberBrecht,Frankfurt196
8、6,©SuhrkampVerlag-thistran
