西晋越窑灯具造型初探

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1、分类号：密级：公开UDC：编号：中国美术学院学士学位论文西晋越窑灯具造型初探高希特指导教师姓名（职务、职称）周武（教授）申请学位级别文学学士专业名称陶瓷艺术设计论文提交日期2012年5月17日论文答辩日期2012年5月24日学位授予单位和日期中国美术学院答辩委员会主席评阅人年月日中国美术学院学位论文原创性声明本人郑重声明：所提交的学位论文是本人在导师的指导下，独立进行研究工作所取得的研究成果。除文中已经加以标注引用的内容外，本论文不包含其他个人或集体已经发表或撰写过的研究成果，也不含为获得中国美术学院或其它教育机构的学位证书而使用过的材料。对本文的研究作出重要贡献的个人

2、和集体，均已在文中以明确方式标明。本人承担本声明的法律责任。作者签名：日期：年月日学位论文版权使用授权书本学位论文作者完全了解学校有关保留、使用学位论文的规定，同意学校保留并向国家有关部门或机构送交论文的复印件和电子版，允许论文被查阅和借阅。本人授权中国美术学院可以将本学位论文的全部或部分内容编入有关数据库进行检索，可以采用影印、缩印或扫描等复制手段保存和汇编本学位论文。本学位论文属于1、保密□，在______年解密后适用本授权书。2、不保密□。（请在以上相应方框内打“√”）作者签名：日期：年月日导师签名：日期：年月日西晋越窑灯具造型初探目录摘要关键词（中英文）····

3、···········································································1引言····················································································································3一.西晋越窑灯具概述（一）.历史背景···········································································

4、·················4（二）.越窑灯具的演变·················································································5二.西晋越窑灯具造型的类别（一）.器皿类·······························································································7（二）.雕塑类······················································

5、·········································9三.西晋越窑灯具造型的艺术特征（一）.题材广泛··························································································12（二）.手法多样··························································································14结语·····························

6、·····················································································15参考文献·········································································································17致谢························································································

7、··························18中国美术学院—公共艺术学院—陶瓷与工艺美术系—12届—高希特—西晋越窑灯具造型初探摘要西晋时期陶瓷灯具随着越窑的繁荣发展，在魏晋南北朝这个灯具发展的特殊时期里显得格外醒目。此时灯具造型既继承了前朝的造型基础，同时又融入了当下社会的审美元素，这对我们了解西晋社会文化生活及越窑瓷器的特色有一定的参考价值。本文通过对西晋越窑灯具的概述、造型类别及造型艺术特征的分析，来梳理西晋越窑灯具造型发展的基本思路，并提出了一些基本观点和主张，对中国当代文化创意产业的发展，有一定的意义。关键词越窑灯具造