Zizek-Grimaces of the Real,or When the Phallus Appears

Zizek-Grimaces of the Real,or When the Phallus Appears

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时间:2019-06-01

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1、GrimacesoftheReal,orWhenthePhallusAppearsSlavojŽižekOctober,Vol.58,RenderingtheReal.(Autumn,1991),pp.44-68.StableURL:http://links.jstor.org/sici?sici=0162-2870%28199123%2958%3C44%3AGOTROW%3E2.0.CO%3B2-4OctoberiscurrentlypublishedbyTheMITPress.YouruseoftheJ

2、STORarchiveindicatesyouracceptanceofJSTOR'sTermsandConditionsofUse,availableathttp://www.jstor.org/about/terms.html.JSTOR'sTermsandConditionsofUseprovides,inpart,thatunlessyouhaveobtainedpriorpermission,youmaynotdownloadanentireissueofajournalormultiplecop

3、iesofarticles,andyoumayusecontentintheJSTORarchiveonlyforyourpersonal,non-commercialuse.Pleasecontactthepublisherregardinganyfurtheruseofthiswork.Publishercontactinformationmaybeobtainedathttp://www.jstor.org/journals/mitpress.html.EachcopyofanypartofaJSTO

4、Rtransmissionmustcontainthesamecopyrightnoticethatappearsonthescreenorprintedpageofsuchtransmission.TheJSTORArchiveisatrusteddigitalrepositoryprovidingforlong-termpreservationandaccesstoleadingacademicjournalsandscholarlyliteraturefromaroundtheworld.TheArc

5、hiveissupportedbylibraries,scholarlysocieties,publishers,andfoundations.ItisaninitiativeofJSTOR,anot-for-profitorganizationwithamissiontohelpthescholarlycommunitytakeadvantageofadvancesintechnology.FormoreinformationregardingJSTOR,pleasecontactsupport@jsto

6、r.org.http://www.jstor.orgMonJan2816:06:082008GrimacesoftheReal,orWhenthePhallusAppearsSLAVOJZIZEKThe"PhantomoftheOpera":aSpectroscopyThecoincidenceofmotifsbetweenhighart(andtheory)andmassculturehasbecomeatheoreticalcommonplace.Dowenotfindtheclearestfigura

7、tionofthefamouspesuzsunautreinthemass-culturetraditionofvampiresandthelivingdeadwhich"decenters"thesubject,underminingitsconsistencyandself-controlfromwithin?'ThemainproblemwiththisresonanceisthenotionofaZeitgeistasitsinterpretivedevice.Onewaytoavoidthisis

8、toplayhighartandmasscultureagainsteachother-thatis,tointerpreteachwiththehelpoftheother,likeLevi-Strauss'siVlythologzques,inwhichmythsinterpretoneanother.Letustakethe"phantomoftheopera,"undoubtedlymassculture

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