作为艺术的舞蹈——舞蹈美学引论

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1、东南大学博士学位论文作为艺术的舞蹈——舞蹈美学引论姓名：郭勇健申请学位级别：博士专业：艺术学指导教师：张道一20030508AbstractThisdissertationhastwopartsanddiscussestwomajorproblems．Inthefirstsection，‘negationandaffirmation’，theauthordiSCUSSeStherslationshipbetweendancingandotherartforms．Allofthisistheforgoingworksfordancingaesthetics；theaimofthi

2、sistocutofftheimbrogliobetweendancingandotherartforms，andresearchdancingisolated．Dancingisanintegrated叭form，inwhichwegallfindtheelementsofsculpture，poltandmusic．However,itisunavoidabletoregarddancingas‘secondaryart’aslongasweconsiderdancingasamixtureofsculpture，musicandliterature(drama)withv

3、ariousproportions．Thereby,asaself-existentartform，dancingmusthasthreekindsofnegationsandopposesthreekindsofeonce}pts：flowingsculpture，visiblemusicandsoundlessdrama(mummery)．Alltheseconceptsareholisticallyanalogythmproducedbyapproachingparts．Thecombinativepointbetweendancingandsculptureisposi

4、ng,betweendancingandmusicisrhythm,betweendancingandmummeryisaction．Butthereareessentialdifferencesbetweentheposing,rhythm，actionofdancingandposingofsculpture，rhythmofmusic，actionofmummery．Sothesethreekindsofanaio西caltheorycannotexplaintheessent瑚charaeteristiesofdancingart．Inthesecondsection，

5、‘danceranddancing’．theauthorbeginstoresearchthedancingworksdeeply．n推relationshipbetweendanceranddancingisabasicissueindancingaesthetics，italmostagglomerateallArcanumindancingart．111eauthoralsodiscussesbody,action．performanceindancingunderthebasicissue．Bodyisthemediumandactionisthemethodindan

6、cing．Ifwedonotdistinguishbetweendanceranddancing,Wecouldnotsolvesomeimportantproblemsindancingaesthetics，forexample，therelationshipbetweenbodyanddancing,physicalforceandperceptivity,actionandexpression．TheintrinsicineortsistencybetweendanceranddancingwilIbecomereconciledinsomeextentintheproc

7、essofperformance．intheprocessofdance，apersonisnotjustartistanymore，butbecomeanartwork．Atlast，nOWthatdancingis‘not’flowingsculptttre，visiblemusic，soundlessdramaorexpressivebody,whatisitonearth?Dancingartdirectlymeltsartist,artagentandartworktogether