徐浩峰武侠电影作者性研究

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1、目录摘要.................................................................................................................................IAbstract...........................................................................................................................III绪论..........................

2、......................................................................................................1一、研究背景及意义...............................................................................................1二、研究现状综述................................................................................

3、...................3（一）武侠电影研究现状................................................................................3（二）徐浩峰电影作品研究现状....................................................................5（三）作者电影理论研究现状........................................................................6三、研究内容与研究方法....

4、...................................................................................9四、研究创新点预测...............................................................................................9第一章武侠电影类型特征与徐氏武侠创作样态......................................................11一、武侠电影的类型模式与类型元素...............

5、..................................................11（一）江湖背景..............................................................................................11（二）侠义观念..............................................................................................11（三）功夫体系...............................

6、...............................................................12（四）个人情仇..............................................................................................13二、徐氏武侠的创作样貌.....................................................................................14（一）全面的行业参与....................

7、..............................................................14（二）个人化的创作风格..............................................................................15第二章徐浩峰作者性的生成源流.......................................................