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1、FORYOURCONSIDERATION2011BESTORIGINALSCREENPLAYMichelHazanaviciusTHEARTISTWrittenbyMICHELHAZANAVICIUSTHEARTISTSilentfilm,illustratedmusically,withsometitlecardstoindicatethedialogues,withactorswhoselipsmovewhentheyspeakalthoughweneverheartheirvoices.Theimagesarei
2、nblackandwhite,informat1.33.1TITLES1Thelettersofthetitlescomeuponatitlecardtypicalofthe1920s.Elegantmotifsaroundtheedgeoftheframe,and,inthebackground,therearegeometricalshapesreminiscentofthelightbeamsofafilmpremière.Behindisastylizedtown.Thetitlesendinafadetobl
3、ack.Onblack,thedateappearsonthescreen:19272INT.LABORATORY-DAY2Ina"futuristic"1920slaboratory,amanintailcoatandbowtieisbeingtortured.Ultrasoundisbeingpipedintohisears.It'sincrediblypainful!He'sscreaming.Titlecard:I’mnottelling!Iwon’ttalk!!!Historturers,coldmenofs
4、cienceinwhitecoats,graduallyincreasethevolume.Thepainseemsunbearable,thevolumereacheslevel10(maximum),themanpassesout!3INT.CELLS&CORRIDORS-DAY3Guardswearinglongleatherovercoatsthrowthemanintoacell!Asthemanislyingthereontheground,adogwigglesthroughthebarsatthewin
5、dow.Thedog,aJackRussell,jumpsontopoftheman-visiblyhismaster-andbeginstolickhisface.Themanopensoneeye!Whenheseeshisdog,hecan'thelpcrackingasmile...Theman,nowonhisfeet,looksinpain.Despitethepain,hemotionstohisdogwhobeginstobarkinlivelyfashion.Outsidethecell,thegua
6、rdlookscuriousaboutthenoise.Hegoestothedoor,opensthespyflapandfindshimselffacetofacewiththeman,eyetoeyejustacoupleofinchesapart!Themanmoveshiseyesinsuchawaythathehypnotizestheguard!Superimposedonthescreen:aspinningblackandwhitespiral,untilthedazedguardtakehiskey
7、s,opensthedoorandreleasesthemanandhisdog.2.Theman(thehero,thus)imprisonstheguardwithoutharminghim,thenrunsovertotheguard'sdesk.Hisearsarestillcausinghimpain,butheopensadrawerandtakesouthisbelongings:atophatwhichhesnapsopen,andamask,whichheputsoverhisheadtoconcea
8、lhiseyes.Wecatchupwiththemaskedmanwalkingdowncorridors.Hesuddenlystops,copiedbyhisdogwhofollowshimlikehisshadow.Theman,onhisguard,hasspottedanotherguardwheretwocorrid
