Ways_of_Being_-_The_Spectator_and_the_Spectacle_-_A_Theoretical_Dissertation_-_Digital_Copy .pdf

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1、WaysofBeingTheSpectatorandtheSpectacleByPeterO’BrienAFilmandScreenStudiesDissertationFortheSchoolofHumanitiesandCulturalIndustriesWordcount:15,0141AbstractAnintroductoryspeculation,WaysofBeing:TheSpectatorandtheSpectacleisaconsiderationoftheepistemological,ontologicalan

2、dmetaphysicaldownfallsoffilmtheory’sunderstandingsofthespectatorandthespectacle;withparticularemphasisdirectedtowardstheneurobiologicalimplicationsofthespectator’sbody.Thethesiswillarguethattheseshortcomingsarerepresentativeofwiderrangingissuesofcomplacencyengulfingthef

3、ilmindustryandfilmexhibitionasawhole.Furthermore,thefundamentaldisruptionsofthedigitalupgradeofcinema,andtheexpandingmeansthroughwhichfilmcontentcanbeexperienced,willbeexploredinrelationtothepressingneedforfilmtheorytoreassessitself.Drawingonaplethoraofempiricalandnon-e

4、mpiricalresearch,thisdissertationisahighlyprogressiveexpressionofhowfilmexperiencehasalwaysbeenabouttranscendenceand,asaresultofitsdigitalre-birthanddiversifications,itisnowbecomingevenmoreso.2ForDouglasTrumbull.Thedreamerwhocaredenoughtokeepgoing.3ContentsListofIllustr

5、ations.........................................7Acknowledgements........................................15NotesontheText.........................................17Declaration............................................21IntroductionTheCave-LikeComfortZoneAPressingNeedto

6、ReconfiguretheSpectatorandtheSpectacle..............22ChapterOneLookingBeyondtheGazeTheSpectator’sRelationshipwiththeSpectacle.......................30ChapterTwoHypercinemaTheImplicationsoftheSpectacleasaHyper-ImmersiveCommodity............49ConclusionDeshiBasaraAPressi

7、ngNeedtoUnderstandtheHiddenLanguageoftheSpectatorandtheSpectacle.........................................834AppendixAThePerceivingParticipatorandtheSpectacleExperiencingSituationAnExampleofaReclassificationfortheSpectatorandtheSpectacle...........96AppendixBFatandSugarT

8、heVariableofCinemaSnacking................................99AppendixCTheTerroroftheMicrophoneTheIntroductionof