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1、GlobalArtCinemaThispageintentionallyleftblankGlobalArtCinemaNewTheoriesandHistoriesEditedbyRosalindGaltKarlSchoonover2010OxfordUniversityPress,Inc.,publishesworksthatfurtherOxfordUniversity’sobjectiveofexcellenceinresearch,scholarship,andeducation.OxfordNewYorkAucklandCap
2、eTownDaresSalaamHongKongKarachiKualaLumpurMadridMelbourneMexicoCityNairobiNewDelhiShanghaiTaipeiTorontoWithofficesinArgentinaAustriaBrazilChileCzechRepublicFranceGreeceGuatemalaHungaryItalyJapanPolandPortugalSingaporeSouthKoreaSwitzerlandThailandTurkeyUkraineVietnamCopyri
3、ght©2010byOxfordUniversityPress,Inc.PublishedbyOxfordUniversityPress,Inc.198MadisonAvenue,NewYork,NewYork10016www.oup.comOxfordisaregisteredtrademarkofOxfordUniversityPressAllrightsreserved.Nopartofthispublicationmaybereproduced,storedinaretrievalsystem,ortransmitted,inan
4、yformorbyanymeans,electronic,mechanical,photocopying,recording,orotherwise,withoutthepriorpermissionofOxfordUniversityPress.LibraryofCongressCataloging-in-PublicationDataGlobalartcinema:newtheoriesandhistories/editedbyRosalindGaltandKarlSchoonover.p.cm.Includesbibliograph
5、icalreferencesandindex.ISBN978-0-19-538562-5;978-0-19-538563-2(pbk.)1.Motionpictures—Aesthetics.2.Independentfilmmakers.I.Galt,Rosalind.II.Schoonover,Karl.PN1995.G5432010791.4301—dc222009026100246897531PrintedintheUnitedStatesofAmericaonacid-freepaperForewordDudleyAndrewI
6、neverapologizeforcombiningtheword“art”withtheword“cinema.”Youwouldneedanineteenth-centuryconceptionofart—aclichéeventhen—tocastitaseffete.AfterFreud,Trotsky,Benjamin,andAdorno,afterfuturism,constructivism,dada,surrealism,andtheexplosionofpop,itseemshardtorememberthatart—a
7、ndtheartfilm—wasonceconsideredthespiritualplaygroundorretreatofabourgeoiselite.True,therehadbeen“Filmd’Art”around1910,bestrememberedfortheblack-tieaudienceassembledforthepremiereofL’AssassinatduducdeGuiseattheParisOpérawithmusiccomposedbySaint-Saens.Andinthe1920scertainpa
8、tronsof“TheSeventhArt”treatedcinemaasthoughitwereadebutantebeingintroducedintohighsociety.InFilm
