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1、SurfaceandtheChinesePainter:TheDiscoveryofSurfaceAuthor(s):JohnHaySource:ArchivesofAsianArt,Vol.38(1985),pp.95-123Publishedby:UniversityofHawai'iPressfortheAsiaSocietyStableURL:http://www.jstor.org/stable/20111155.Accessed:12/04/201412:11YouruseoftheJSTORarchiveindicatesyouracceptanceoftheTerm
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4、jecttoJSTORTermsandConditionsSurfaceandtheChinesePainter:TheDiscoveryofSurfaceJohnHayInstituteFineArts,NewYorkofUniversityINTRODUCTORYQUESTIONS1.heportraitofthepoetLiPo(701-762)walkingwhilechantingapoem(Fig.1),paintedbyLiangK'ai(activefirsthalfofthethirteenthcenturyA.D.),seemsaquintessentialac
5、hievementofbothitscultureanditstime.ArthurCooperwroteofLiPo,"Hispresenceseemstohaveelectrifiedeveryoneandthespeedatwhichhecouldcompose,whenindrink,tohaveastonishedthem....Inhisowncountryandthosethatshareitsscriptandculture,hehasalsobeenthemostwidelyreadofChinesepoetrywaschantedorsung,poets."1n
6、everorreadLiPo,inspokensilently.LiangK'ai'sseemstofloatontheimaginaryportrait,breathofhisowninspiration,chantingperhapsrecollectionofChina'spoetoftheuniverse:DidChuangChoudreamhewasthebutterfly?OrthebutterflythatitwasChuangChou?Inone'sbody'smetamorphoses,Allispresent,infinitevirtue!2K'aiwithbr
7、illianttoLiangrespondedclarityhismatterandhisformsresonatewithsubjecttheirfullness.Theforwardpace,liftedface,poet'sandintothedistanceofhissharpeyeslookingpoemareallperfectlyjudged.Butthereismuchmore.Thepaintingisasongtothevirtuosityofbr