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ID:34445532
大小:1.34 MB
页数:29页
时间:2019-03-06
《蒹葭苍苍白露为霜——论江宏伟工笔花鸟创作中的艺术审美观》由会员上传分享,免费在线阅读,更多相关内容在学术论文-天天文库。
1、注1注2分类号:密级:注3注4UDC:学号:M1003006硕士学位论文蒹葭苍苍白露为霜——论江宏伟工笔花鸟创作中的艺术审美观研究生姓名:陈天白导师姓名:江宏伟教授申请学位级别硕士学科专业名称美术学论文提交日期2013年5月5日论文答辩日期2013年5月21日学位授予单位南京艺术学院学位授予日期2013年月日答辩委员会主席评阅人2013年5月5日论文摘要蒹葭苍苍白露为霜——论江宏伟工笔花鸟创作中的艺术审美观论文摘要二十世纪八九十年代,在西方文化大量涌入的趋势下,中国绘画发展出诸多绘画观念,并尝试采用新的绘画材料和方式。画家吸收了各种绘画理念、绘画精神、艺术观念,创作出风格和形式多
2、样的中国画。江宏伟在工笔花鸟这一古典绘画形态的转变过程中,通过对中西方绘画的重新认识和借鉴,加入自己对绘画的感知,摸索出一条具有独立审美追求的绘画风格道路。本文从江宏伟的从艺经历、自我感悟、寻求其符合自身审美需求的元素中,分析研究江宏伟的绘画风格和创作理念。江氏画作对于传统工笔画的当代艺术内涵和审美追求有独到见解,对于重新解读传统人文和绘画精神起到启迪作用。关键词:江宏伟工笔花鸟画宋画西方绘画视觉印象IAbstractAbstract:RealisticFlower-and-BirdpaintingisoneoftheChinesepainting’sclassicalforms
3、.Bythetrendofwesternculture’senormousinfluxin1980sand1990s,Chinesepaintinghaddevelopedmanypaintingconcepts,newpaintingmaterialsandmethods.Absorbedvariouspaintingphilosophies,spiritsandartisticconcepts,PaintersdevelopedvividstylesandformsofChinesepainting.Byre-recognizedandlearnedfromChinesean
4、dWesternpaintings,aswellasaddedhisownperceptiononpainting,JiangHongweiexploredanuniquepaintingstylewithhisindependentaestheticpursuitduringitstransactionprocess.ByexploringJiangHongwei'sartexperience,self-awareness,theprocessofseekingsuitableelementsforhisaestheticdemand,theauthoraimstostudyJ
5、iangHongwei'sstyleofpaintingandreflecthisactualcreationphilosophyinthisarticle,JiangHongwei'spaintingsevokesareinterpretationofthespiritoftraditionalculture.Ithascertainguidancesignificanceandresearchvalueforexploringtheaestheticpursuitofthecontemporarypaintingart,interpretatingartisticconnot
6、ationofrealisticFlower-and-BirdPainting,aswellasforthecreationofcontemporaryrealisticFlower-and-BirdPaintings.Keywords:JiangHongwei;traditionalChineserealisticflower-and-birdpainting;ThepaintingsofSongDynasty;Westernpainting;II目录目录论文摘要··························································
7、·····ⅠAbstract:······························································Ⅱ引言····································································1第一章江宏伟工笔花鸟画创作的时代背景···································3第一节艺术精神的融汇·····························
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