苏轼书《宸奎阁碑》研究

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1、学位论文原创性声明本人郑重声明：所提交的学位论文是本人在导师的指导下，独立进行研究工作所取得的研究成果。除文中已经加以标注引用的内容外，本论文不包含其他个人或集体已经发表或撰写过的研究成果，也不含为获得中国美术学院或其它教育机构的学位证书而使用过的材料。对本文的研究作出重要贡献的个人和集体，均已在文中以明确方式标明。本人承担本声明的法律责任。作一：躲未日期冽多年乡月／乃学位论文版权使用授权书本学位论文作者完全了解学校有关保留、使用学位论文的规定，同意学校保留并向国家有关部门或机构送交论文的复印件和电子版，允许论文被查阅和借阅。本人授权中国美术

2、学院可以将本学位论文的全部或部分内容编入有关数据库进行检索，可以采用影印、缩印或扫描等复制手段保存和汇编本学位论文。本学位论文属于作者签名：导师签名：1、保密2、不保年解密后适用本授权书。(请在以上相应方框内打“√”)1乡一多一工<珏笋珂q舭物中国美术学院——书法系——贺维豪——苏轼书《宸奎阁碑》研究目录中文摘要···········一一一一一一一一一一一一一一一一一一一一一一一一·2Abstract····························································3引{念········

3、························································4第一章《宸奎阁碑》的缘起····························一·······一一一··略第二章《宸奎阁碑》的写刻·············································10第一节苏轼与怀琏禅师师徒····················⋯···············1l第二节苏轼与《宸奎阁碑》的创作和刻制·······⋯⋯⋯⋯·········13第三章《宸奎阁碑》的成毁与拓

4、本流传···········⋯·····················17第一节拓本传播················································17第二节重刻·············-······································18第四章《宸奎阁碑》的书法····························．．···············．21第一节苏轼楷书创作略述········································2l第二节《宸奎阁

5、碑》的书法艺术···································．24结{吾·······························································29参考文献···························································30附图·································⋯···························31附勇乏·························-··

6、·····⋯·⋯·······················34后记·········⋯······················⋯··························37中国美术学院——书法系——贺维豪——苏轼书《宸奎阁碑》研究【内容提要】中文摘要在众多关于苏轼书法艺术的研究中，关于他碑刻楷书的研究几乎没有，更不用说对其楷书碑刻进行个案研究。《宸奎阁碑》作为苏轼晚年的代表作品，历代著录极多，可见它的重要性。然而目前对这块碑刻的研究却基本未见，不能不说是一个遗憾。因此，本文以苏轼书《宸奎阁碑》为研究对象，通过史料的整理分析

7、，对《宸奎阁碑》的创作背景以及经过进行梳理考证，并运用对比、图表等手法来对其书法艺术进行分析。从而进一步对苏轼的碑刻楷书创作和北宋的楷书创作进行一些简要的梳理。【关键词】苏轼碑刻楷书宸奎阁碑中国美术学院——书法系——贺维豪——苏轼书《宸奎阁碑》研究[Content】AbstractInmanyresearchesaboutSuShiartofcalligraphy，inscriptionsonhiSregularscriptalmostno，nottomentionthecasestudyontheregu]arscriptinscripti

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