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1、唐代顺陵石刻中走狮形象分析研究类型：理论研究AbstractTheartimageofwalkinglionoftheShun-mausoleumintheTangDynastywhichstandsoutingloriousageofTangpoetrytime'semperorhasrepresentedthistimecarvedstoneartdevelopmentmaximumlevel,andhastheepoch-makingmodelsignificanceintheChinesesculpturehistory.Duetothislion
2、imageoverallmodellingfullpure,carvingtechniquesuccinct,decoratingbrieffineandthefacialexpressiondynamicvividnatureclearly,untilnowitwasstillChinesestylestonelionartwhichthecreationperformancefollowed.AstheChinesearthistoryintypicalexternalartisticimage,toresearchingthismodel,noton
3、lymayenableustohavetheunderstandingtothedevelopinghistoricalsourceourofstonelionart,butalsocoulddeepenustounderstangthecomplexconstitutionappearanceoftheancientcarvedstonetradition,meanwhilewhichhastherealityguidetoourcurrentartisticcreation.Fromthehistoricalorigin,thestyleconstit
4、utionandthevisualesthetic,thisarticlewillfocusonthemanyfactors,suchasart,cultureandsocialhistoryoftheartimageoftheShun-mausoleumoncealingandwillanalyzethepossibleconditioninwhichtheChinesesignificance'scarvedstonewascreated.Therefore,alongthetimesequencewhichthisexternalartimageof
5、walkinglionentersChinat,thisarticlewillstudythepossibleline,religiousbackgroundandthesocietywhichmayinfluencethedevelopmentofwalkinglionatr.Basedonthose,thisarticlewillstudyestheticingredientofwalkinglionimageofTangShunling,focusingontheformallanguage,theartisticexpressiveforce,th
6、etimebackgroundanditshistoricalsituation.ThisarticlewillalsoanalyzethereasonofappearanceanddisappearanceofthewalkinglionartisticimageintheTangmausoleumcarvedstonefromthetimeandthecarvedstonecraft'sangleanddrawstheconclusion.Alltheseexplorationsandtheresearchworkmaybehelpfultounder
7、standtheartisticspiritofChineseculture,andextractnourishmentfromthetraditionalartforthecontemporaryartisticcreation.Keywords:WalkinglionofShun-mausoleum;mausoleumsculpture;carvedstone;imageexpressionII唐代顺陵石刻中走狮形象分析目录绪论„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„11走狮雕刻的源流简述„„„„„„„„„„„„„„„„„„„„„
8、„„41·1走狮形象自西方向东亚的传播阶段„„„„„„„„„„„„
