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ID:34003226
大小:1.76 MB
页数:32页
时间:2019-03-03
《论油画肌理在现代绘画中的表现力》由会员上传分享,免费在线阅读,更多相关内容在教育资源-天天文库。
1、论油画肌理在现代绘画中的表现力摘要本文主要是根据现代油画的画面形式和油画肌理在油画创作中重要的作用,来探讨油画艺术中肌理的形成和表现力。本文从肌理的定义开始谈起,借助对古典油画的技法特点及制作方法的阐述,并结合对现代绘画的优秀作品中肌理的成功运用来论述现代油画肌理的各种形式和特点。通过细致地分析肌理的继承、发展情况、各种不同肌理在现代绘画中的运用和肌理本身的审美特性,进一步说明了肌理在现代绘画中具有极强的表现力。同时,新的肌理形式和新材料的运用也是我们油画艺术工作者目前甚至将来很长一段时间都必须认真探索的重要课题。关键词
2、:肌理油画肌理技法材料现代绘画ByoilpaintingskintextureinmoderndrawingexpressiveforceAbstractThisarticleismainlyaccordingtothepictureformofthemodernoilpaintingandtheimportantuseoftheoilpaintingskintexture,whichisintheoilpaintingcreation,todiscusstheoilpaintingartskintextureforma
3、tionandexpressiveforce.Startingfromtheskintexturedefinitionandhavingtheaidoftheelaborationofclassicaloilpaintingtechniquecharacteristicsandmanufacturemethods,thepaperelaboratesthemodernoilpaintingskintextureformsandcharacteristicsbyunifyingthesuccessfulutilizatio
4、noftheskintextureofoutstandingworksinthemoderndrawing.Bycarefullyanalyzingtheinheritanceanddevelopmentsituationoftheskintextureandtheutilizationofallkindsofshintextureinthemodernoilpaintinganditselfestheticcharacteristicswefurtherexplainthattheskintexturehasagrea
5、tlystrengthenedexpressiveforceinthemoderndrawing.Meanwhile,newformoftheskintextureandtheutilizationofnewmaterialarealsoaveryimportanttopicsthatouroilpaintingartworkershavetoexploreearnestlyforalongtimeinfuture.Keyword:Texture;Technique;Oilpaintingskintexture;Mate
6、rial;Moderndrawing目录引言...........................................................................................................1一、肌理含义的探究.....................................................................................21、什么是肌理...............................
7、.............................................................22、现代绘画中肌理的各种形式和特点....................................................3(1)画面肌理的单纯化和平面化............................................................3(2)画面肌理的立体结构与装饰性.......................................
8、.................4(3)画面肌理的抒情性和非常规性........................................................6(4)画面肌理的构成性与抽象性.....................................................
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