水彩画创作中抽象性的研究

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1、摘要水彩画的“抽象形态”不是对具体物象的如实再现，而是通过大量舍弃、排除具体物象非本质方面，高度概括提炼物体的共性的特征，其终极是对具体物象的概括和交杂。从水彩的发展过程中发现当代水彩画”抽象性”研究的必要性。从抽象与具象之间的异同出发，解释了”水彩画创作中抽象性”的内涵，逐步分析存在于绘画中抽象形态的实质，阐述了具象形态与抽象形态在各种因素和情感上的同构，两者之间的联系。并且通过对抽象元素的解构与重构的透彻的解析阐明了抽象形态的图式构成。创造抽象美的目的同样是为了满足审美需求，人的个性和情感表达在绘画

2、抽象形态中起到丰导作用，抽象也是需要生活感受作为依据的，并且依赖于人的个性和情感表达来给予作品更加强烈的色彩。现代水彩画创作中的抽象形态在人的情感支配下，顺应时代不断的发展所产生的一系列新的审美情趣正在慢慢的被人们接纳认知。同时本文，对水彩画创作中主体与抽象性的结合也专门分章节进行探讨。关键字：抽象性、解构与重构、主观性Abstract}Ill11111111IIIIIIIIlllllIllIII}Y2589436Watercolorpainting”abstractfonn”iSnottobeofas

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8、ationisalsospecializedtochaptersarediscussed．Keywords：abstract，deconstructionandreconstruction，subjectivity目录引言···························································1第1章抽象艺术是从具象形态中抽离出来的精神载体···············21．1绘画中抽象形态与具