007电影追逐场景的电影语言-研究

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1、西南交通大学硕士研究生学位论文簪，雨AbstractThelanguageoffihnisavisualcommunicationsystemofthelanguagethatthefilmborrowsexpressedinavarietyofmedia，meansofart，scienceandtechnologytomoviefilmmakerscognitivefilmlanguageisdeterminedbyvisualmeanstolistentotwolanguagesandtheaudience．Bringingtothea

2、udienceagreatvisualandauditoryimpact．007seriesoffilmsisacommercialtypeoffilmSpyGameasatheme．Videosafterhalfacenturyofenduring．23fillsnowmeetwiththeworld．007seriesoffilmsoffilmlanguageisprettystandardformulaicfilllanguage．whichisdifferentfromtheFrenchandEuropeanavant．gardefi

3、ll，experimentalfill；moviesyntaxofthesefillsradical，exaggerated，highlypersoh'alized，and007filmlanguagesyntaxpurestandardpracticalapplicability，itissuitabletoleam．Papersselect”QuantumofSolace”and”CasinoRoyale”，”OptionalDieAnotherDav”threemoviecameramachinebitmapflhombnailtosu

4、mmarizethefilmlanguageofthechasescene．Theconclusionofthestudyareasfollows：1·sceneselection(1)Todeterminethewayofthechase．(2)determinethechasemode．todeterminethenumberofbidderschasingandbeingchased．(3)todeterminechasemodeandchaseandchasetogetthenumber,youCandeterminethenumbe

5、rofscenesandscene．2．Getagoodchasescene(1)Selecttheacomplexenvironmentchasescenechaseactiontoprovideadiversityofchoice．(2)SceneSelectionwhenshootingachasescenemotethanthree(3)bestnottoarrangethedialogue(4)designofthechasesceneshouldnotlettheaudienceeasilyguesstheending(5)new

6、Chaser．(6)Finally，theendofthechaseshouldnotbesustainedforalongtime(7)callbesetduringthechaseagencies(8)toselectaveryspecialscene3．Movinglenslaw4．Theaxismetllod5．Theactionscenesshootingstyle6．StrengthenthemovementlensvisualeffectsKeywords：FilmlanguageChasesceneRelationshipli

7、ne西南交通大学硕士研究生学位论文岔。雨目录第一章绪论⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．51．1电影语言⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．61．1．1电影语言的含义⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．61．1．2电影语言的作用⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．61．2007系列电影的电影语言⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．61．2．1007系列电影⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．61．2．2选择007的原因⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．8第2章文献综述与研究设计⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯1

8、02．1国内外研究现状综述⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．102．2目前研究存在的问题⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯⋯．．132．3研究意义与创新⋯⋯⋯⋯⋯