意象性油画中线的表现分析

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1、inexploringacombinationofboth.Butrelativelyspeaking,theWesternoilpaintingsfocusonformandquality,andtheChineseimageofthelinepaintingisevenmorecherishedinGodandrhyme.ThisimageofoiltoChina'sdevelopmentandinnovationwithacertaindegreeofpracticalsignificance,butalsofortheperformanceoftheirownlanguageofpai

2、ntingtoexploreanddeveloptheguidingroleplay.ImplicationlineimageoftheuniqueimageoftheChineseoilpaintingartthesouloflanguage,imageandcanvasartischaracterizedbythebasicimageofthebasisoftheexistenceoflineart,andtheoryofChinesepaintingsystemimageistheimageofthemanifestationoftheartisticvalueofline.Imageo

3、fChinainordertograsptheartofpaintingthedevelopmenttrendofChina'simageclarityofthedirectionofoildevelopment,sothatimageofoilpaintingarttoflourishinChina.Keywords:Imagesofoilpaintings;line;expressions;constitutealanguage;thinkingembodiedIII万方数据目录摘要„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„ⅠAbstract„„„„„„„„„„„„„

4、„„„„„„„„„„„„„„„Ⅱ第一章绪论1.1课题背景„„„„„„„„„„„„„„„„„„„„„„„„(1)1.2研究内容„„„„„„„„„„„„„„„„„„„„„„„„(1)1.3研究目的及意义„„„„„„„„„„„„„„„„„„„„(2)第二章油画意象性线的内涵及特征2.1意象性油画的含义„„„„„„„„„„„„„„„„„„„„(3)2.2意象性线的概论„„„„„„„„„„„„„„„„„„„„„(4)第三章意象性油画中线的语言表现形式3.1线在意象油画视觉语言中的作用„„„„„„„„„„„„(6)3.2意象性线的艺术语言特征„„„„„„„„„„„„„„„(7)3.3意象作品中的线的分析„

5、„„„„„„„„„„„„„„„„(12)第四章意象性线的借鉴与表现4.1线与形体结构„„„„„„„„„„„„„„„„„„„„(16)4.2线与色彩„„„„„„„„„„„„„„„„„„„„„„„„(17)4.3线与肌理„„„„„„„„„„„„„„„„„„„„„„„„(18)4.4线与空间„„„„„„„„„„„„„„„„„„„„„„„„(19)第五章结论参考文献„„„„„„„„„„„„„„„„„„„„„„„„„„„„„(22)致谢„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„„(24)附录A（攻读学位期间发表的论文目录）„„„„„„„„„„„„„„„„(25)附录B（攻读学位期间刊登

6、的部分作品）„„„„„„„„„„„„„„„„(26)万方数据第一章绪论1.1课题背景油画是西方艺术文化的产物，进入中国后经过百年的沧桑，如今形成了各种风格特征的油画表现语言形式，其中具有民族特色的意象性油画对中国油画艺术界来说，是值得探索的领域。它是西方油画艺术精神和中国的传统绘画理念的结合，孕育着新的绘画表现形式。“意象”是中国古代著名的美学命题之一，也是衡量具有中国文化特征和美学价值的中国油画的重要标准之一。中国油画中意象性线的表现不仅仅是沟通传播的工具，它包含了中国人主要人文的理想。意象性油画中线的表现力是极其深奥又极富变化的，可谓“玄之又玄，众妙之门”。中国意象性油画中的线追求“似与不

7、似之间”。线的用法是极其重要又极富变化的，赋予每根线以生命力，真正地达到“形神兼备”。线条的长短、粗细、曲直、浓淡、疾驰、疏密等等的变化组合产生画面的视觉上的冲击力。本文解析作为油画绘画语言之一的线条在其中的隐喻作用。尝试解析如何将从东方传统中国绘画艺术中抽取出线条艺术语言，有机融入油画中。关于中国意象性油画中线的表现语言这一方面的研究正式提出只是最近几年。国内学者的相关专著也是有限的。一些有影响