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1、电影中的镜头叙事学一一解析电影《南京，南京》中的镜头运用Lensisthemostbasicunitofamovie,eachadifferentpointofview,differentlength,differentviewtothecombinationoftheperformanceandsequence,details,andultimatelywillformdifferentvisualimpactandvisualperception.Howthecameraisusedandhowtop
2、resentthedetailsoftendependsonthetoneofthemovieandthecontentitwantstorepresent・Formalismandrealismistheearliest,mostprimitivemoviestyleofmethodandmeans,thedirectorofdifferentstyletendtotendtouseadifferentmirrorputforperformance・Intothedistinctionbetweenth
3、esetwoaspectsofconcrete,inthefeaturefilmisusuallydon'tdotoomuchofaprescriptive,everythingaccordingtotheneedsoftheplottomakeadecision,sothegeneralfeature,don，twalkthepoles,buttherearesomeexceptionsinthehistoryofthecinemaintheworld・Whatisthelens,andhowtouse
4、goodcamera,iseachdirectormustknowaboutthemostbasicconcept,totheuseofthelensandgrasphowtotendtobethemostbasic,themostconcreteinanifeststionanddirectingprowess・Let，stakealookatthefilminnanjing,nanjing・One,lensstyleWhentalkingaboutthecamera,itisoftensaidthat
5、thelensstyleisoneofthemostimportantcombinationfactorsinthefilmstyle・Ibelievethatalltheaudiencesfamiliarwithluchuan，sstylewillalsobefamiliarwiththeslightlydocumentarystylethatluchuanhas・AsoneofthenewgenerationoffilmmakersChinesecinema,thefirsttwofilms"sear
6、ch","kekexili",hastheobviousmark,andthecharacters,especiallyforsmallpeople'spsychologicaldescriptionandpsychologicalreveal,psychologicalhint,readwithveryexquisitedescriptionandveryaccurategrasp・Atthesametime,everyshotiscarefullychoreographedandorganized."
7、Nanjing,nanjing,thefilmbecauseofthestoryfromthebackground,in1937,isatadistanceofspaceandtimefromnow,fromnowtocompleteperformanceandrestorethehistoricalsituation,historicalscene,alsoisnotveryrealistic・Ifitissimplytakenasafeaturefilm,itiseasytomakethefilmal
8、ackofauthenticityandcredibility.Incontrast,thesenseofdocumentaryistoostrong,andthelackofanarrativeisboundtomakeforalackofinterest.So,accordingtothecontentofthefilm,itdeterminesthemostbasictrendofthefilm,thedocumenta
