the oxford handbook of film music studies

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1、THEOXFORDHANDBOOKOFFILMMUSICSTUDIESThispageintentionallyleftblankTHEOXFORDHANDBOOKOFFILMMUSICSTUDIESEditedbyDAVIDNEUMEYER13OxfordUniversityPressisadepartmentoftheUniversityofOxford.ItfurtherstheUniversity’sobjectiveofexcellenceinresearch,scholarship,andeducationbypublishingworldwide

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3、ineVietnamOxfordisaregisteredtrademarkofOxfordUniversity PressintheUKandcertainothercountries.PublishedintheUnitedStatesofAmerica byOxfordUniversity Press198MadisonAvenue,New York,NY 10016©OxfordUniversityPress2014Allrightsreserved.Nopartofthispublicationmaybereproduced,stored in ar

4、etrievalsystem,ortransmitted,inanyformorbyanymeans,withoutthe priorpermissioninwritingofOxfordUniversityPress,orasexpresslypermittedby law,bylicense,orundertermsagreedwiththeappropriatereproductionrightsorganization.Inquiriesconcerningreproductionoutsidethescopeoftheaboveshouldbesen

5、ttotheRightsDepartment,OxfordUniversityPress,attheaddress above.Youmustnotcirculatethisworkinanyother formandyoumustimposethissameconditiononanyacquirer.LibraryofCongressCataloging-in-PublicationDataTheOxfordhandbookoffilmmusicstudies/editedbyDavidNeumeyer.pagescmIncludesbibliograph

6、icalreferencesandindex.ISBN978–0–19–532849–3(hardcover:alk.paper)1.Motionpicturemusic—Historyandcriticism.I.Neumeyer,David,editorofcompilation.ML2075.O932014781.5’42—dc232013010582135798642PrintedintheUnitedStatesofAmericaonacid-free paperContentsContributorsxi1.Overview1DavidNeumey

7、erPART IFILMMUSIC: CENTRALQUESTIONS2.MusicandtheOntologyoftheSoundFilm: TheClassicalHollywoodSystem17James BuhlerandDavidNeumeyer3.OperaandFilm44MarciaJ. Citron4.VisualRepresentationofFilmSoundasanAnalyticalTool72Rick Altman5.FilmMusicfromthePerspectiveofCognitiveScience96AnnabelJ. 

8、Cohen6.Composingfor