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1、thecambridgehistoryofTWENTIETH-CENTURYMUSICTheCambridgeHistoryofTwentieth-CenturyMusicisafirstappraisalofthedevelopmentofmusicinthetwentiethcenturyfromthevantage-pointofthetwenty-first.Thiswide-rangingandeclecticbooktracestheprogres-sivefragmentationoftheEuropean‘art’tradition
2、,anditsrelocationasonetraditionamongmanyatthecentury’send.WhilethefocusisonWesterntraditions,both‘art’andpopular,thesearesituatedwithinthecontextofworldmusic,includingacasestudyoftheinteractionof‘art’andtraditionalmusicsinpost-colonialAfrica.Aninternationalauthorshipbringsawid
3、evarietyofapproachestomusichistory,buttheaimthroughoutistosetmusicaldevelopmentsinthecontextofsocial,ideological,andtechnologi-calchange,andtounderstandreceptionandconsumptionasintegraltothehistoryofmusic.nicholascookisProfessorofMusicatRoyalHolloway,UniversityofLondon,andDire
4、ctoroftheAHRBResearchCentrefortheHistoryandAnalysisofRecordedMusic.HisbooksincludeAGuidetoMusicalAnal-ysis(1987),Music,Imagination,andCulture(1990),theCambridgeMusicHandbook–Beethoven:Symphonyno.9(1993),AnalysingMusicalMultimediaandMusic:AVeryShortIntroduction(both1998).anthon
5、ypoplewasProfessorofMusicattheUniversityofNottinghamuntilhisdeathin2003.HispublicationsincludetwoCambridgeMusicHandbooks–Berg:ViolinConcerto(1991)andMessiaen:Quatuorpourlafindutemps(1998);heeditedTheory,AnalysisandMeaninginMusic(1994)aswellastheCambridgeCompaniontoBerg(1997).t
6、hecambridgehistoryofMUSICTheCambridgeHistoryofMusiccomprisesagroupofreferenceworkscon-cernedwithsignificantstrandsofmusicalscholarship.Theindividualvol-umesareself-containedandincludehistoriesofmusicexaminedbycenturyaswellasthehistoryofopera,musictheoryandAmericanmusic.Eachvol
7、-umeiswrittenbyateamofexpertsunderaspecialisteditorandrepresentsthelatestmusicologicalresearch.TheCambridgeHistoryofAmericanMusicEditedbyDavidNichollsTheCambridgeHistoryofWesternMusicTheoryEditedbyThomasChristensenTheCambridgeHistoryofNineteenth-CenturyMusicEditedbyJimSamsonTh
8、eCambridgeHistoryofTwentieth-CenturyMusicEditedbyNicholasCook
