斯卡拉蒂奏鸣曲在键盘手风琴演奏中应注意的几个问题——以c大调奏鸣曲、e大调奏鸣曲、d小调奏鸣曲为例

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1、·硕士学位论文M.D.Thesis斯卡拉蒂奏鸣曲在键盘手风琴演奏中应注意的几个问题——以C大调奏鸣曲、E大调奏鸣曲、d小调奏鸣曲为例SeveralSignificantPointsinAccordionPerformanceofScarlattiSonatas:TakingSonatasCMajor,EMajorandDMinorasExemplification邵悦冰ShaoYuebing····目录独创性声明........................................................................

2、............................................I摘要...........................................................................................................................IIAbstract....................................................................................................

3、..................III绪论............................................................................................................................1（一）选题的目的与意义.....................................................................................1（二）相关研究状况综述........................

4、.............................................................2（三）研究的方法及意欲创新之处.....................................................................5一、斯卡拉蒂生平简介及其奏鸣曲的创作风格........................................................6（一）斯卡拉蒂生平简介.............................................

5、........................................6（二）斯卡拉蒂奏鸣曲的创作风格.....................................................................71、奏鸣曲的创作背景....................................................................................72、奏鸣曲的风格分类.................................................

6、...................................73、奏鸣曲的风格特征..................................................................................11二、三首斯卡拉蒂手风琴奏鸣曲音乐分析..............................................................14（一）C大调奏鸣曲（K143）分析...................................................

7、...............14（二）E大调奏鸣曲（K162）分析....................................................................16（三）d小调奏鸣曲（K9）分析........................................................................18三、斯卡拉蒂奏鸣曲在键盘手风琴演奏中应注意的几个问题..............................21（一）音乐风格的把握...................

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