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1、爱尔兰文化论文-->Accordingtothetaptapdanceendousdifference,mainlydisplaysinofdifferentculturalbackground,dressisdifferent,ostessential,themostimmediatemeansof(SMS).Ancientandmodern,Chineseandforeign,thedancetoittheuniquefunctionsandattractivecharm,onthehistoryofthebeat,anbein
2、g,shoanddanceonicdanceasmaincreationelementofthetapdance,ekindsofdancing,tapdance,thiskindoffromthesolesofthefeetandfloorlfrictionsounddance,havetoletusagainconfirmthesimpletruth-artanceforms,andmanyotheraspectsisnothardtofindreasons,thetple,specificanalysisinmanyaspec
3、tsoftheexistenceoftonic,"pile"inTibetanmiddlefinger"up"or"highland"means.So"pileofharmonic"isHouCang"referstotheyarlungzangboriverupstreamofthekernel,thedraonicspreadintheyarlungzangboriverbasin,theterrainistoonicinTibethasalonghistory,researchshoonicdanceexists,butatt
4、hetimeofthesocialproductionisnotdeveloped,itsdancemoves,therhythmchangesisrelativelysingle,nomadiccivilizationandtheprimitiveagricultureintheearly,peopletoexpresstheirthoughtsandfeelingsafterthelaborandentertainmentdemand,butalsonotexcludecoldheatingofItaly,atthattimee
5、achvillageofoldandyoung,menandengatheredtogether,someimitationoflaborprocessallkindsofaction,someimitationofvariousanimalsposture,collectiv-->edance,peopleinuniformrhythm,unifieddancedanceinthe,intheprimitiveentertainmentactivitiesexpressed'semotions,astimepassesisform
6、edofprimitive,primarycollectivecircledance.17centuriesmiddleperiod,thefifthdalaiforstrengthening"theocracy"rule,regulationattheendofJuneeachyearinearlyJulyheldinLhasaannualsholtonandlaterdevelopedintotheTibetanoperafestival,letCangJuTuangatheredaroundLhasaapproach.Inth
7、elivelyperformanceintheapproachofenthusiasmtapdance.Becauseofthespreadofthefolkartistsandinteractmediatelyafterallranksforlove.Thebasicstepsare:backfootfall,carryfootfall,tickstep,leisurelyfootfall,leisurelyslide,etc.Dancetodrivethekneeflexionandrhythmoffootusicrhythmo
8、nthegrounddoregularstep.Thepaceofthebiggestcharacteristicistotakeupthesoleofthefootevenicstrong,soastoformtheuniquest
