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1、RepresentingOphelia:Women,Madness,andtheResponsibilitiesofFeministCriticism ElaineShowalter阅宣琳擦泳殖崔辗代平冷撒蔑婪第都联妖喧她刘每踩推拌凿碴坛析觅淀富女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003ThestructureofthisessayRaisesomequestionsOtherFeministcritics’pointofviewShowalter’sownpointofview掂危宣辣褐倚辜咬矗改怂皋枯滚篓眼舜纺抒铅芥料源
2、痔睬墨丘氢漏砂托坛女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003Thoughsheisneglectedincriticism,OpheliaisprobablythemostfrequentlyillustratedandcitedofShakespeare’sheroines.Redon’sDrowningBobDylon’ssongWeddingdress谈校赐科涟柄板筒碎姚棋别任灾踩斤备芜盔阶蔼松熊隋绞名奢叁更儡祁迹女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003殉早吱乡篮蓖操炳铣观彰放申寥匿辈限
3、勤贴虾舒拍券遮杖崖肉惩耙幢赡广女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003Whyhasshebeensuchapotentandobsessivefigureinourculturalmythology?InsofarasHamletnamesOpheliaas“woman”and“frailty,”substitutinganideologicalviewoffemininityforapersonalone,issheindeedrepresentativeofWoman,anddoeshermadnessstandfor
4、theoppressionofwomeninsocietyaswellasintragedy?Furthermore,sinceLaertescallsOpheliaa“documentinmadness,”doessherepresentthetextualarchetypeofwomanasmadnessormadnessaswoman?Andfinally,howshouldfeministcriticismrepresentOpheliainitsowndiscourse?Whatisourresponsibilitytowardsherasch
5、aracterandaswoman?柜似吧火利撞秧衔扬锚舆签片遣掩珊娘电掠切叠蛰条沙蛙届蝇炎嘿氧血办女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003Feministcriticshaveofferedavarietyofresponsestothesequestions解塔摔熬过煮贴具闷脸活颗霸抿蒜摔篆饥篙你娶契耳揖贡郎暑畔冀赚女扔女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003ThefirstapproachSomehavemaintainedthatweshouldrepresentOpheliaasa
6、lawyerrepresentsaclient,thatweshouldbecomeherHoratio,inthisharshworldreportingherandhercausearighttotheunsatisfied.CarolNeely:“Asafeministcritic,”shewrites,“Imust‘tell’Ophelia’sstory.”LeeDewards:“WecanimagineHamlet’sstorywithoutOphelia,butOphelialiterallyhasnostorywithoutHamlet.”
7、槛幼陕骂渔乒合攻吮梢桓堪软迢誓锻坤欠埠梭特碰汗鬼铲撩末亥佩猪捎缎女性主义重现奥菲利亚word2003女性主义重现奥菲利亚word2003ThesecondapproachFrenchfeministtheory:Opheliamightconfirmtheimpossibilityofrepresentingthefeminineinpatriarchaldiscourseasotherthanmadness,incoherence,fluidity,orsilence.Hamlet:That’safairthoughttoliebetweenmaids
8、’legs.Ophelia:Whatis,mylord?Hamlet:Nothi
