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1、Scriptwriterslovetocomplain.Theyaredisrespectedbyproducers,阅读理解答案 阅读理解Scriptwriterslovetocomplain.Theyaredisrespectedbyproducers,regardeddispensable(可有可无的)bydirectors,notdulycreditedbycritics,treatedlikeemployeesbyactors–althoughfewcomplainaboutbeinghistoricallyandchronicallyov
2、erpaid.Anotherthingtheydon’tcomplainaboutis“theexhaustionofnarrative”,thoughitweighsverymuchontheirminds.Forscriptwriterstocomplainabouttheinsufficiencyoforiginalideaswouldbelikeasalesmancomplainingaboutalackofinventory.It’snotgoodforbusiness. Writershavealwaysknowntherearealim
3、itednumberofstorylines.Anditisincreasinglydifficulttogetoutinfrontofaviewer’sexpectations.Almosteverypossiblesubjecthasnotonlybeencoveredbutcoveredexhaustively.HowmanyhoursofserialkillerplothastheaverageviewerseenFiftyAhundredThisbecomespainfullycleartoanywriterwhoattemptstooral
4、lytellhisstory(scriptwriterisclosertotheoraltraditionthanitistolitera ture).Originalityhasalwaysbeeninshortsupply.Doestheproliferation(泛滥)ofmediameanthatitishardertobeoriginaltodaythanitwas50yearsagoWell,yea.Today’sviewersliveinabiosphereofnarrative.Twenty-four-seven,multimed
5、ia,allthetime.Whenastorytellercompetesforaviewer’sattention,henotonlycompeteswithsimultaneouslyoccurringnarratives,hecompeteswiththevariationsofhisownnarrative.That’srealcompetition.Thisexhaustionofnarrativeisbehindtheriseofrecent“counter-narrative”entertainments,suchas: 1.Real
6、ityTV.Anyregularviewerknowsthatrealitytelevisionfollowsitsownscriptedformulas,buttheappearanceofbeingunscriptedisessentialtoitsappeal.Wearyofsomuchpredicableplot,thejadedviewerturnstoreality. 2.Anecdotalnarrative.TheattractionoffilmssuchasSlackeranditsmumblecoreprogeny(呢喃类)isth
7、eenjoymentofwatchingbehaviorimpededbytheartificeofplot.Itisnot“fake”,not“desig ned”(althoughofcourseitis). 3.Reenactmentdrama.Whetherbasedonfamouseventsorlesser-knownones,reenactmententertainmentsellsthepremisethattheseeventsactuallyhappenedandwerenotcookedupbyastaffofwriter
8、s(though,again,ifnotactuallycookedup,theywerese