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1、IntroductionD.H.Lawrenceisanovelist,essayistandpoetinthetwentiethcenturyofBritain.Hewasborninthehomeoftheminers,whograduatedfromtheUniversityofNottingham,workedasabutcher,accounting,factoryworkersandprimaryschoolteachers.Inhisshortspanoftwentyyearsofwritingcareer,hepublished12novels,more
2、than50novellas,anumberofpoemsandalotofproses.Manyexpertsandscholarsathomeandabroadanalyzehisrepresentativeworksthroughdifferentangles.In2003,HislifetimeandindigenousvaluewerethethemeofactivityintheresearchinstituteofDavidHerbertLawrenceoftheUniversityofNottingham.Somegraduatestudentsmain
3、tainedakeeninterestedinthesymbolofworksofD.H.Lawrence.Thismaybeconnectedwiththeteachingofcollegethatrelatedtotheattentionoftheliterarystylistics.Athome,inmajorterms,theresearchesofD.H.Lawrencestillfocusonthestudyofthenovels,especiallythefournovelsoffictionsofD.H.Lawrence,namely,“sonsandl
4、overs”,“therainbow”,“womaninlove”and"ladyChatterley'slover".However,theartisticachievementsofshortstoriesofD.H.Lawrenceisaveryworthtopicofsummarizationandanalysis.Theseshortstoriesflashtheircharmbythestrongspiritofpersonalityofauthorandexcellentartistictalent.Theseworkscanbenotignoredint
5、hetreasuresofshortstoriesofworld.SoD.H.Lawrencewasregardedasoneofthebestwritersofshortstoriesinthe20thcentury.Basedontheaboveviewpoints,thispaperanalyzesthestylisticcharacteristicsofshortstoriesbythethreesamplingsofhisshortstories,namely,“thePrussianofficer”,“youtouchme”,and“sun”.Literar
6、ystylisticsisamethodthatcombinesthecontentoftheliterarydiscoursewiththelinguisticresearch.Itdescribesandinterpretsliteraryworkswiththetheoryoflinguisticsasatool.Itisthebridgeofthestudiesofliteraryfromsubjectivitytoobjectivityinthedescriptionoflanguageform,atthesametime,italsocanexcavatet
7、heaestheticsignificanceofliterarydiscourse.Theliterarystylisticsmakesthestudyofliteraturebecomemorecompleteandspecific;meanwhilethedevelopmentoflinguisticsandliterarycriticismhasplayedapositiveroleinpromotion.ThispaperappreciatestheaestheticeffectandthemeofshortstoriesofD
