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1、OperaandtheCityOperaandtheCitythepoliticsofcultureinbeijing,1770–1900AndreaS.Goldmanstanforduniversitypressstanford,californiaStanfordUniversityPressStanford,California©2012bytheBoardofTrusteesoftheLelandStanfordJuniorUniversity.Allrightsreserved.Nopartofthisbookmayberep
2、roducedortransmittedinanyformorbyanymeans,elec-tronicormechanical,includingphotocopyingandrecording,orinanyinformationstorageorretrievalsystemwithoutthepriorwrittenpermissionofStanfordUniversityPress.PrintedintheUnitedStatesofAmericaonacid-free,archival-qualitypaperLibra
3、ryofCongressCataloging-in-PublicationDataGoldman,AndreaS.(AndreaSue),author.Operaandthecity:thepoliticsofcultureinBeijing,1770–1900/AndreaS.Goldman.pagescmIncludesbibliographicalreferencesandindex.isbn978-0-8047-7831-2(cloth:alk.paper)1.Operas,Chinese—Socialaspects—China
4、—Beijing.2.Operas,Chinese—Politicalaspects—China—Beijing.3.Operas,Chinese—China—Beijing—Historyandcriticism.4.Beijing(China)—Intellectuallife—18thcentury.5.Beijing(China)—Intellectuallife—19thcentury.I.Title.ml1751.c58g652012782.10951'156—dc232011047716TypesetbyBruceLund
5、quistin10.5/14AdobeGaramondFormymother,MurielGoldman,andinmemoryofmyfather,MarvinGoldman(1927–2009),whonurturedmyloveforthetheaterfromaveryyoungage.ContentsListofIllustrationsixReignPeriodsoftheMingandQingDynastiesxiAcknowledgmentsxiiiOverture1partoneaudiencesandactors1.
6、OperaAficionadosandGuidestoBoyActresses17TheTexts23TheConnoisseurs39TheLaoDouandOtherPatrons53Conclusion58parttwovenuesandgenres2.MetropolitanOpera,BorderCrossings,andtheState63ThePlayhouse67TheTempleFair87TheSalon97Conclusion1123.MusicalGenre,OperaHierarchy,andCourtPatr
7、onage115YabuandHuabu118CourtPatronageandRegulationtocirca1860119GenreDelineationandtheOperaMarketplace129CourtPatronageandRegulationafter1860134Conclusion140viiicontentspartthreeplaysandperformances4.SocialMelodramaandtheSexingofPoliticalComplaint145TheGardenofTurquoisea
8、ndJadeandItsSources148GardenandtheEthicsoftheEarlyQingSuzhouPlaywrights155GardenontheCommercialStage160
