the_etruscan_chariot_from_monteleone_di_spoleto_the_metropolitan_museum_journal_v_46_2011

the_etruscan_chariot_from_monteleone_di_spoleto_the_metropolitan_museum_journal_v_46_2011

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时间:2018-09-07

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1、8TheEtruscanChariotfromMonteleonediSpoletoADRIANAEMILIOZZIPrimoRicercatore,IstitutodiStudisulleCiviltàItalicheedelMediterraneoAntico,ConsiglioNazionaledelleRicerche,RomeI.INTRODUCTIONTherestorationandreconstructionoftheEtruscanchariotsuchinformationwouldhavehadaplacehere,butsinceI.1Detailof

2、thefrontpanelfromMonteleonediSpoleto(FiguresI.1–I.4)tookplacedifferentkindsofworkproceedatdifferentpaces,IdecidedoftheMonteleonechariotduringtherecentrecon-aspartofthereinstallationofthegalleriesofGreekandnottopostponemypartofapublicationanylonger.Idostruction,beforethepoleRomanArtcompleted

3、in2007.Initsnewstate,thechariotisincludetheresultsofsomemetallographicanalysesthatwasreattached.Seealsoillustratedinthebookaccompanyingthereinstallation,ArtsupportcertainobservationsIpresent.KendraRoth,con-FiguresI.2–I.4.oftheClassicalWorldinTheMetropolitanMuseumofArt:servatorintheDepartmen

4、tofObjectsConservation,alsoGreece,Cyprus,Etruria,Rome.MyparticipationcameaboutgraciouslyallowedmetoincludetechnicalinformationthroughanagreementbetweenTheMetropolitanMuseumregardingthecorrosionthathadformedonthebronzeofArtandtheIstitutodiStudisulleCiviltàItalicheedelrevetmentovertime.Inthec

5、atalogue(SectionV)suchinfor-MediterraneoAntico(ISCIMA)oftheConsiglioNazionalemationisreportedineachentryunder“Condition.”InSec-delleRicerche(CNR).BothinstitutionsmadepossiblemytionIII.Cmyremarksconcerningthemastercraftsmanandworkonthechariotandthispublication.hisassistantscontainonlycertain

6、observations;theydonotfullyaddresstherepousséwork,thetracingandpunchingA.Thescopeofthearticletechniques,andtheapplicationoftheivoryinlays.IhopeTheprojectinwhichIwasinvolvedwasthereconstructionthatmyobservationswillinspirefurtherdetailedstudiesbyoftheMonteleonechariotaccordingtotherecentscho

7、lar-expertsonthesetechniquesandleadtofuturepublicationsshiponthisspeci!ctypeofancientvehicle.Theworkononhowthechariotwasmade.Similarly,SectionsIIandVthechariottookplaceattheMetropolitanMuseum,incol-shouldfacilitatefurthericonographicandstylisticanalysisl

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